Formal Assessment Feedback from OCA

I am very pleased with my assessment result, and I have had some very useful feedback. I have made bold the comments that I really need to pay close attention to and to work on. “There’s a real sense of commitment to further understanding of what you are engaged in and the development of a rigorous

We do not see things as they are…

New York City (1974) by Elliott Erwitt Notes & Quotes from, Theory, Articulating Critical Practice Section 1, (2020) Dr. Ariadne Xenou, Barnsley: Open College of the Arts. The French poet and essayist Anaïs Nin posited that “we do not see things as they are; we see them as we are.” Anaïs Nin, The Seduction of the

Formative Feedback for Assignment 4

Formative feedback Student name        Shaun Mullins Student number                 512659 Course/Unit          Self and Other Assignment number          4 Type of tutorial  Audio-Visual     Overall Comments A useful attempt to wrestle with the subjectivity of the photograph. A well referenced essay. Assignment 2 and 4 Assessment potential I understand your aim is to go for

Photography A Very Short Introduction

Stephen Edwards, Photography A Very Short Introduction, 2006, Oxford: Oxford University Press, ISBN: 978-0-19-280164-7 (Kindle Edition). In my opinion, this is a very good book and a very important book to read for any photographer. Notes/Quotes: Documentary is said to provide its viewers with direct access to truth. In his pioneering book on the subject,

Sexuality, Documents of Contemporary Art.

Amelia Jones, (ed.) (2014) Sexuality, Documents of Contemporary Art, London: Whitechapel Art Gallery. ISBN: 978-0-85488-224-3. This book is a collection of essays and interviews. Many of the artists are involved in performance art in which they will either perform in front of a live audience or video their work. Much of the discussion is in

Assignment 1 – Written Feedback

Above is attached a WordDoc for my Tutor’s written feedback for my first assignment. Overall Comments A successful piece of work based on good preparation that meets the brief. Feedback on assignment Demonstration of technical and Visual Skills, Quality of Outcome, Demonstration of Creativity Notes on, and in addition to, video tutorial [You need to

Mark Sealy – Conversation, ‘Afterimage: why representation matters.’

A lecture by Mark Sealy at The Fabrica Gallery in 2012 discussing the photographs and project by artists Julian Germain, Patricia Azevedo and Murilo Godoy, The Beautiful Horizon (2012) which was an acclaimed project, documenting a long-term collaboration between young people living on the streets of Belo Horizonte, Brazil. Referring to this project he discusses the

Bibliography

Books Bang, M. (2000) Picture This How Pictures Work, San Francisco: Chronicle Books LLC. Barthes, R. (2000) Camera Lucida, London: Vintage. Barthes, R. (1977) Image Music Text, London: Fontana Press. Berger, J. (1980) About Looking, London: Bloomsbury. Berger, J. (1972) Ways of Seeing, London, Penguin. Bright, S. (ed.) (2013) Home Truths: Photography and Motherhood, London: