Summary for Part 1, Looking at Them – The Representation of the Other.

I began this section with a preliminary exercise as a kind ice breaker in which I took photographs of people incognito and this really reaffirmed my discomfort of street photography which I think has become much harder to practise in our modern society that is now always under the gaze of CCTV and the world

Notes from the Margin of Spoilt Identity – The Art of Diane Arbus By Gerry Badger (1988)

Notes from the Margin of Spoilt Identity – The Art of Diane Arbus by Gerry Badger (1988). The above link will take you to the essay, Notes from the Margin of Spoilt Identity – The Art of Diane Arbus By Gerry Badger Published in Phototexts (1988) Topless dancer in her dressing room, San Francisco, California.

Richard Avedon

Richard Avedon, 1923 -2004. American portrait and fashion photographer, he worked for Harper’s Bezaar and Vogue. He specialised in capturing movement in fashion, theatre and dance photographs. Bob Dylon, Singer, New York City, (1965) by Richard Avedon. Elise Daniels with Street Performers, Suit by Balenciage, Le Marais, Paris, (1948) by Richard Avedon.