A critical reflection.

My brief The readings, research and exercises should have led you to think about self portraiture in a variety of ways. Some practitioners deliberately play with ideas of fluidity and multiple selves, whilst still being anchored to a nominal self. Selfies, often used as self promotion, are intimately linked to their intended audience. Create a

Planning and Preparation for Assignment 3

Shaun Mullins (Untitled) 2020, Different Selves My brief The readings, research and exercises should have led you to think about self portraiture in a variety of ways. Some practitioners deliberately play with ideas of fluidity and multiple selves, whilst still being anchored to a nominal self. Selfies, often used as self promotion, are intimately linked

Assignment 3 – Different Selves

The greatest journey we make is life, from this odyssey we build our own unique collage that we call identity. “I am multiples of myself.” If I am to ask myself who am I? My true answer would be more complex than simply Shaun Mullins. So who am I? I am a child; I’m young

Assignment 1 – Written Feedback

Above is attached a WordDoc for my Tutor’s written feedback for my first assignment. Overall Comments A successful piece of work based on good preparation that meets the brief. Feedback on assignment Demonstration of technical and Visual Skills, Quality of Outcome, Demonstration of Creativity Notes on, and in addition to, video tutorial [You need to

My Other Half – a critical self-review.

My Other Half – A critical self-review by Shaun Mullins. The objective of this project was to create 6-10 environmental portraits and I chose to produce photographs of my wife in different locations in our home, dressed for and performing the typical activities that I often see her doing.  I wanted to convey the idea

Summary for Part 3, “Look at Me!” – The Representation of Self.

In section 3, “Look at Me!”, I studied the subject of ‘self’ and how it has and is used and interpreted in the portrait. I learned that the idea of the ‘selfie’ goes back beyond photography. Originally the early selfies where exclusively for the rich and powerful to express wealth and more importantly, power, examples

My Tutor’s assessment – Assignment 2

In my video conference with my Tutor we discussed the style of work that I am using which is a controlled and planned method, my Tutor thought that this style worked for this project’s narrative. He could see the influence of artist such as Cindy Sherman and Jeff Wall who both create contrived pictures in

Questioning Identity: Gender, Class, Nation.

Kath Woodward, (ed.) (2000) Questioning Identity: Gender, Class, Nation, London: Routledge. ISBN: 0-415-22288-5. This publication is part a series of books for the study of social science through the Open University, published in 2000 it is probably a little dated now as it pulls from examples no later than the 1990s. However, as a book

Planning and preparing for assignment 1.

Due to the COVID epidemic getting photographs of anyone outside my household is proving very, difficult; so for my first assignment I have elected to keep it simple and use my wife and myself as the subjects. The photographers and their projects that have inspired me are Larry Sultan, Pictures of Home (1992) and Tina

Assignment 1 – Environmental Portraits, ‘My Other-half’

Assignment 1 – My Other-half “Identity comes from both the observer and the observed.” – Shaun Mullins. In this project, I wanted to create environmental portraits that in some way express the different sub-identities that make up the overall character of a person.  I believe that our identity / character is not defined by one