Shizuka Yokomizo – Stranger

Shizuka Yokomizo’ project, Stranger, 1998 -2000, consisted of Yokomizo sending anonymous letters to her subjects asking them to stand in front of their from windows at an appointed time, and she would then spend a couple of minutes photographing them through their window from the street. Shizuka Yokomizo, Stranger, 1998 -2000. Dear Stranger, I am

A critical reflection.

My brief The readings, research and exercises should have led you to think about self portraiture in a variety of ways. Some practitioners deliberately play with ideas of fluidity and multiple selves, whilst still being anchored to a nominal self. Selfies, often used as self promotion, are intimately linked to their intended audience. Create a

Preparing, producing and editing Assignment 2

For this assignment, the social theme was based around a current social issue that is affecting millions of people, myself included, being furloughed from work as a result of the COVID pandemic. I therefor used myself as the subject and my home as this is the location of my furlough. I used a Nikon with

Summary for Part 1, Looking at Them – The Representation of the Other.

I began this section with a preliminary exercise as a kind ice breaker in which I took photographs of people incognito and this really reaffirmed my discomfort of street photography which I think has become much harder to practise in our modern society that is now always under the gaze of CCTV and the world

Assignment 1 – Environmental Portraits, ‘My Other-half’

Assignment 1 – My Other-half “Identity comes from both the observer and the observed.” – Shaun Mullins. In this project, I wanted to create environmental portraits that in some way express the different sub-identities that make up the overall character of a person.  I believe that our identity / character is not defined by one

Exercise 2.4 – Stanley Wolukau-Wanambwa

Stanley Wolukau-Wanambwa position appears to be one of prejudice, based on history, perhaps before writing his scathing critic he should have first contacted the artist to clarify their position, rather than simply damning their work. I believe Hoek’s intentions were honourable and as he points out as photographers and artist work can be about the

The Quest for the Man on the White Donkey

The Quest for the Man on the White Donkey (2012) by Yaakov Israel Yaakov Israel, The Quest for the Man on the White Donkey, (2012) Amsterdam Schilt Publishing. An interview with Yaakov Israel Yaakov Israel works with 8×10 and 4×5 inch cameras, he prefers this format because it slows down his process and due to

Notes from the Margin of Spoilt Identity – The Art of Diane Arbus By Gerry Badger (1988)

Notes from the Margin of Spoilt Identity – The Art of Diane Arbus by Gerry Badger (1988). The above link will take you to the essay, Notes from the Margin of Spoilt Identity – The Art of Diane Arbus By Gerry Badger Published in Phototexts (1988) Topless dancer in her dressing room, San Francisco, California.