Formative feedback Student name Shaun Mullins Student number 512659 Course/Unit Self and Other Assignment number 4 Type of tutorial Audio-Visual Overall Comments A useful attempt to wrestle with the subjectivity of the photograph. A well referenced essay. Assignment 2 and 4 Assessment potential I understand your aim is to go forContinue reading “Formative Feedback for Assignment 4”
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Sexuality, Documents of Contemporary Art.
Amelia Jones, (ed.) (2014) Sexuality, Documents of Contemporary Art, London: Whitechapel Art Gallery. ISBN: 978-0-85488-224-3. This book is a collection of essays and interviews. Many of the artists are involved in performance art in which they will either perform in front of a live audience or video their work. Much of the discussion is inContinue reading “Sexuality, Documents of Contemporary Art.”
Uses of Photography (1978) by John Berger
Quotations from Uses of Photography by John Berger. “Through photographs, the world becomes a series of unrelated, free-standing particles; and history, past and present, a set of anecdotes and fait divers. The camera makes reality atomic, manageable, and opaque. It is a view of the world which denies interconnectedness, continuity, but which confers on eachContinue reading “Uses of Photography (1978) by John Berger”
Summary for Part 1, Looking at Them – The Representation of the Other.
I began this section with a preliminary exercise as a kind ice breaker in which I took photographs of people incognito and this really reaffirmed my discomfort of street photography which I think has become much harder to practise in our modern society that is now always under the gaze of CCTV and the worldContinue reading “Summary for Part 1, Looking at Them – The Representation of the Other.”
The ‘Other’ in the history of photography
Because photography was seen as the ideal tool for providing evidence due to its perceived indexicality, it was used to observe and record the face and head. In the 1850s and 1860s the British eugenicist Francis Galton obtained portrait photographs of criminals from the archive of Millbank Prison. He meticulously re-photographed theses pictures, exposing aContinue reading “The ‘Other’ in the history of photography”