Picture This How Pictures Work

Picture This How Pictures Work, 2000, Molly Bang, San Francisco: Chronicle Books LLC. ISBN: 978-1-58717-030-0. I purchased this book in my charity shop. This is a great little book that takes you back to basics. Using just shapes and colours, Molly Bang deconstructs composition and examines each element that makes a good picture work. The

Reading Photographs – In Our Own Image, by Fred Ritchin

Peter Kennard and Cat Phillips created the image, titled: Photo Op, in 2005. From Fred Ritchin’s book, In Our Own Image, his essay, Reading Photographs, (Ritchin, 2010) discusses the authenticity of a photograph. He asks, …after all that is happening in computer imaging can one safeguard the integrity of the photograph in its populist role

‘Facing Up To Myself’ by Jo Spence (1978)

Jo Spence, Photo Therapy: Infantilization, 1984. The above link (accessed, 26/10/2020) is a pdf copy of an article published in Spare Rib magazine, March 1978 by Jo Spence, Facing Up To Myself (1978). Available from https://journalarchives.jisc.ac.uk/home (accessed 26/10/2020). Notes: As a photographer, Jo Spence, realised, That a single image could not convey someone’s essence. (Spare

Planning and Preparation for Assignment 3

Shaun Mullins (Untitled) 2020, Different Selves My brief The readings, research and exercises should have led you to think about self portraiture in a variety of ways. Some practitioners deliberately play with ideas of fluidity and multiple selves, whilst still being anchored to a nominal self. Selfies, often used as self promotion, are intimately linked

Questioning Identity: Gender, Class, Nation.

Kath Woodward, (ed.) (2000) Questioning Identity: Gender, Class, Nation, London: Routledge. ISBN: 0-415-22288-5. This publication is part a series of books for the study of social science through the Open University, published in 2000 it is probably a little dated now as it pulls from examples no later than the 1990s. However, as a book

Sally Mann

Sally Mann, born 1951, American photographer famous for her large-format black-and-white photographs. She fist photographed her young children then moved on to landscapes suggesting decay and death. Some of her photographs of her children would not be considered acceptable in today’s society due to their nudity and subject matter. Candy cigarette, (1986) by Sally Mann.

Reading Task – The photographic works of Diane Arbus – My thoughts

Much has been said and written about Arbus and her work, but I wonder if too much has been read into her photographs?  The images used to critique her work style all appear to poses those elements of the sublime, they have that something, that punctum that Barthes coined (1) and which all photographers strive