Notes from my video link with my Tutor

My Tutor made four recommendations for my essay. One was simply a typo error the second was to refer to the various types of handmade drawings and the third and forth was to add some quotes to reinforce my statements. From: – The idea that the camera ‘never lies’ started at the very beginning of

Reading Task – The Impossibilities to shoot as a white photographer on the African Continent by Jan Hoek

https://americansuburbx.com/2015/11/the-impossibilities-to-shoot-as-a-white-p hotographer-on-the-african-continent.html Jan Hoek wrote a reply to Wolukau-Wanambwa’s critique of Sassen’s, de Midel’s and his work defending his non-racist intentions. Perhaps, we must all ask ourselves can we truly ever be totally unprejudiced as a human race? Notes and Quotes In an article on Aperture.org (http://aperture.org/blog/lives-others/), Stanley Wolukau-Wanambwawiped the floor with the work of artists Vivanne

Exercise 2.1 – National Press

From studying Stuart Hall’s ideas of how an intended massage can be interpreted by different people: DOMINANT, NEGOTIATED, OPPOSITIONAL from my Reading Point 2.1 exercise, I have analysed this news media image using Hall’s three points-of-view. Daily Mail, Monday, 8th June, 2020, headline: “LAWLESS & RECKLESS”. This photo taken during the “Black Lives Matter” protests

Definition of ‘Other’

Stephen Bull in his book Photography (2010) Abingdon: Routledge. Bull discusses how in the 18th and 19th century anthropology linked to colonialism recorded and catalogued native people around the world allowing comparison across races and with the intention of comparing who and what they considered superior and who and what was in their opinion inferior.

Susan Sontag’s criticism of Diane Arbus

From On Photography, (1977) Susan Sontag, London: Penguin, pages 32-48. Untitled – 1, 1970-1971. Diane Arbus Notes & passages of interest. Sontag begins her essay comparing an exhibition of 112 photographs by Diane Arbus that was exhibited in 1972 in at The Museum of Modern Art (MOMA) in New York city that drew large crowds