Shizuka Yokomizo – Stranger

Shizuka Yokomizo’ project, Stranger, 1998 -2000, consisted of Yokomizo sending anonymous letters to her subjects asking them to stand in front of their from windows at an appointed time, and she would then spend a couple of minutes photographing them through their window from the street. Shizuka Yokomizo, Stranger, 1998 -2000. Dear Stranger, I amContinue reading “Shizuka Yokomizo – Stranger”

Uses of Photography (1978) by John Berger

Quotations from Uses of Photography by John Berger. “Through photographs, the world becomes a series of unrelated, free-standing particles; and history, past and present, a set of anecdotes and fait divers. The camera makes reality atomic, manageable, and opaque. It is a view of the world which denies interconnectedness, continuity, but which confers on eachContinue reading “Uses of Photography (1978) by John Berger”

Reading Task – The Impossibilities to shoot as a white photographer on the African Continent by Jan Hoek

https://americansuburbx.com/2015/11/the-impossibilities-to-shoot-as-a-white-p hotographer-on-the-african-continent.html Jan Hoek wrote a reply to Wolukau-Wanambwa’s critique of Sassen’s, de Midel’s and his work defending his non-racist intentions. Perhaps, we must all ask ourselves can we truly ever be totally unprejudiced as a human race? Notes and Quotes In an article on Aperture.org (http://aperture.org/blog/lives-others/), Stanley Wolukau-Wanambwawiped the floor with the work of artists VivanneContinue reading “Reading Task – The Impossibilities to shoot as a white photographer on the African Continent by Jan Hoek”

Thomas Ruff

Portrait 1986 (Stoya) Photo by Thomas Ruff, Tate Collection. Reference: P78091 Display Caption – Tate Ruff believes that photography can only capture the surface of things, conveying what he describes as ‘the authenticity of a manipulated and prearranged reality’. In 1981, he began a series of colour portraits of his friends and fellow students atContinue reading “Thomas Ruff”

Susan Sontag’s criticism of Diane Arbus

From On Photography, (1977) Susan Sontag, London: Penguin, pages 32-48. Untitled – 1, 1970-1971. Diane Arbus Notes & passages of interest. Sontag begins her essay comparing an exhibition of 112 photographs by Diane Arbus that was exhibited in 1972 in at The Museum of Modern Art (MOMA) in New York city that drew large crowdsContinue reading “Susan Sontag’s criticism of Diane Arbus”

Create your website with WordPress.com
Get started