Formative Feedback for Assignment 2

Formative feedback Student name        Shaun Mullins Student number                 512659 Course/Unit          Self and Other Assignment number          2 Type of tutorial  Audio-Visual     Overall Comments An assignment that meets the brief, engages with references and is based on useful research. Feedback on assignment Demonstration of technical and Visual Skills, Quality of Outcome, Demonstration of

Photography A Very Short Introduction

Stephen Edwards, Photography A Very Short Introduction, 2006, Oxford: Oxford University Press, ISBN: 978-0-19-280164-7 (Kindle Edition). In my opinion, this is a very good book and a very important book to read for any photographer. Notes/Quotes: Documentary is said to provide its viewers with direct access to truth. In his pioneering book on the subject,

Planning and Preparation for Assignment 3

Shaun Mullins (Untitled) 2020, Different Selves My brief The readings, research and exercises should have led you to think about self portraiture in a variety of ways. Some practitioners deliberately play with ideas of fluidity and multiple selves, whilst still being anchored to a nominal self. Selfies, often used as self promotion, are intimately linked

My Tutor’s assessment – Assignment 2

In my video conference with my Tutor we discussed the style of work that I am using which is a controlled and planned method, my Tutor thought that this style worked for this project’s narrative. He could see the influence of artist such as Cindy Sherman and Jeff Wall who both create contrived pictures in

Human Rights Human Wrongs by Mark Sealy

Human Rights Human Wrongs The above link introduces Sealy photographic exhibition to quote: “Images can dehumanise us. They can make it easier to kill people,” says Mark Sealy, curator of Human Rights Human Wrongs, currently on exhibit at The Photographers’ Gallery “I grew up in Newcastle, sat on buses with characters calling me ‘Chalky’,” says

Susan Sontag’s criticism of Diane Arbus

From On Photography, (1977) Susan Sontag, London: Penguin, pages 32-48. Untitled – 1, 1970-1971. Diane Arbus Notes & passages of interest. Sontag begins her essay comparing an exhibition of 112 photographs by Diane Arbus that was exhibited in 1972 in at The Museum of Modern Art (MOMA) in New York city that drew large crowds

Train Your Gaze

Roswell Angier, (2015) Train Your Gaze, (2nd ed.) London; New York: Bloomsbury, ISBN: 978-1-4725-2510-9. Divided into eleven chapters, each chapter ends with an assignment to put into practice the portraiture style that is discussed for that chapter, thus this book provides precisely what its title implies. That is teaching the various theoretical styles that have