Formative Feedback for Assignment 4

Formative feedback Student name        Shaun Mullins Student number                 512659 Course/Unit          Self and Other Assignment number          4 Type of tutorial  Audio-Visual     Overall Comments A useful attempt to wrestle with the subjectivity of the photograph. A well referenced essay. Assignment 2 and 4 Assessment potential I understand your aim is to go for

Final Project – Essay.

Behind this laughing mask of mine. Firstly, I would like to apologies to my audience with regards to my artistic project, for I am asking you to interpret my images as I see them. To be seen to represent an invisible metaphor for the political identity of self, but a photograph is not a literal

Picture This How Pictures Work

Picture This How Pictures Work, 2000, Molly Bang, San Francisco: Chronicle Books LLC. ISBN: 978-1-58717-030-0. I purchased this book in my charity shop. This is a great little book that takes you back to basics. Using just shapes and colours, Molly Bang deconstructs composition and examines each element that makes a good picture work. The

Summary for Part 6: Pre-Assessment Tutorial.

Untitled, (2021) Shaun Mullins. For my final assignment I had decided to explore ideas of the politics of self with masks as metaphor for the front that we all put up when with others. This front is a kind of guard that protects as well as projects. At the time of preparing and conducting this

Assignment 6 – Final Project

Behind this laughing mask of mine 2020 – 2021 ‘Every profound spirit needs a mask’ Nietzsche, Beyond Good an Evil, 1888. In the politics of self we put up a front to others, and this is worn as a type of mask that projects as well as it guards. For identity we wear many masks

Notes from my video link with my Tutor

My Tutor made four recommendations for my essay. One was simply a typo error the second was to refer to the various types of handmade drawings and the third and forth was to add some quotes to reinforce my statements. From: – The idea that the camera ‘never lies’ started at the very beginning of

Assignment 4 – Essay

Other Than You. By Shaun Mullins (512659) Assignment 4, PH5SAO – The Self and The Other. Word count without quotations and footnotes: 2563.  Including quotations and footnotes Total: 3931. Sources: Barthes, 2000; 1977; Kelly, Self Image, Personal is Political, 1979; Kuhn, Remembrance, The child I never was, 1991; Ritchin, 2010; Spence, Facing Up To Myself,

After You Dearest Photography, Reflections on the work of Francesca Woodman (1998) By David Lee Strauss

Francesca Woodman, Self-portrait, (1977) Strauss looks at the work by the artist Francesca Woodman, many of her pictures were self portraits. Sadly Woodman took her own life, whilst still only 22 years old. This latter fateful knowledge cannot help influencing the way we view her art. Because these are photographs, “evidence of a novel kind,”

A critical reflection.

My brief The readings, research and exercises should have led you to think about self portraiture in a variety of ways. Some practitioners deliberately play with ideas of fluidity and multiple selves, whilst still being anchored to a nominal self. Selfies, often used as self promotion, are intimately linked to their intended audience. Create a

Reading Task – The photographic works of Diane Arbus – My thoughts

Much has been said and written about Arbus and her work, but I wonder if too much has been read into her photographs?  The images used to critique her work style all appear to poses those elements of the sublime, they have that something, that punctum that Barthes coined (1) and which all photographers strive