Critical reflection

The Brief: Produce a story with a social theme. Your project should combine portraits, objects and spaces to describe your subject matter. You should produce between 8 – 12 images to demonstrate an ethical practice. At the time of producing this project, I found myself in the middle of a world pandemic as a result

Planning Assignment 2

The Brief. Produce a story with a social theme. Your project should combine portraits, objects and spaces to describe your subject matter. You should produce between 8 – 12 images to demonstrate an ethical practice. My idea for this assignment is to produce a photo essay about my time as a furloughed employee. This is

Summary for Part 1, Looking at Them – The Representation of the Other.

I began this section with a preliminary exercise as a kind ice breaker in which I took photographs of people incognito and this really reaffirmed my discomfort of street photography which I think has become much harder to practise in our modern society that is now always under the gaze of CCTV and the world

Exercise 2.4 – Stanley Wolukau-Wanambwa

Stanley Wolukau-Wanambwa position appears to be one of prejudice, based on history, perhaps before writing his scathing critic he should have first contacted the artist to clarify their position, rather than simply damning their work. I believe Hoek’s intentions were honourable and as he points out as photographers and artist work can be about the

Susan Sontag’s criticism of Diane Arbus

From On Photography, (1977) Susan Sontag, London: Penguin, pages 32-48. Untitled – 1, 1970-1971. Diane Arbus Notes & passages of interest. Sontag begins her essay comparing an exhibition of 112 photographs by Diane Arbus that was exhibited in 1972 in at The Museum of Modern Art (MOMA) in New York city that drew large crowds