Summary for Part 2, Other

Part 2, Other, began by looking at how photography has played its part in violence against the other, siting Victorian photography as one example of asserting colonial power over weaker subjected peoples of other ethnic and cultural societies. Artists such as Mark Sealy have been addressing these troubling histories with work and exhibitions such as

Questioning Identity: Gender, Class, Nation.

Kath Woodward, (ed.) (2000) Questioning Identity: Gender, Class, Nation, London: Routledge. ISBN: 0-415-22288-5. This publication is part a series of books for the study of social science through the Open University, published in 2000 it is probably a little dated now as it pulls from examples no later than the 1990s. However, as a book

Exercise 2.2 – ‘Kept from View’

In today’s world and society there are still groups of people kept from view. Some are kept out of view by others for political or economic reasons and some through our own guilt. The Homeless. The mentally ill. Modern slavery/workers bonded to an employer by a dept. Families under the poverty line / the poor.

Exercise 1.1a – Planning & Preparation.

The brief for this exercise is to produce five portraits of strangers from a variety of backgrounds. They must be classed as ‘Other’ so that they may differ by a significant respect from myself. This could be by age, gender, sexual orientation, ethnic background, social class, etc. I am also to keep notes of contact

Reading Task – The photographic works of Diane Arbus – My thoughts

Much has been said and written about Arbus and her work, but I wonder if too much has been read into her photographs?  The images used to critique her work style all appear to poses those elements of the sublime, they have that something, that punctum that Barthes coined (1) and which all photographers strive