A Haiku portraiture to Georgia O’Keeffe and Orville Cox

A Haiku portraiture to Georgia O’Keeffe and Orville Cox by Shaun Mullins, 2021. winter cumulus cowboys and desert roses eyes for mischief make Georgia O’Keeffe and Orville Cox at Canyon de Chelly National Monument Arizona, 1937, Ansel Adams. This is an Haiku exercise, using a photograph that I chose for the subject motivator for myContinue reading “A Haiku portraiture to Georgia O’Keeffe and Orville Cox”

Exercise 2.6 – Candid Portrait

Working with my friend Graham, I set-up a basic studio with a barstool and a white background, I directed his poses using my camera fixed to a tripod. After 5 minutes I gave the control of the photographic direction to Graham, who firstly wanted me to take the camera off the tripod and then photographContinue reading “Exercise 2.6 – Candid Portrait”

Mark Sealy – Conversation, ‘Afterimage: why representation matters.’

A lecture by Mark Sealy at The Fabrica Gallery in 2012 discussing the photographs and project by artists Julian Germain, Patricia Azevedo and Murilo Godoy, The Beautiful HorizonĀ (2012) which was an acclaimed project, documenting a long-term collaboration between young people living on the streets of Belo Horizonte, Brazil. Referring to this project he discusses theContinue reading “Mark Sealy – Conversation, ‘Afterimage: why representation matters.’”

Notes from the Margin of Spoilt Identity – The Art of Diane Arbus By Gerry Badger (1988)

Notes from the Margin of Spoilt Identity – The Art of Diane Arbus by Gerry Badger (1988). The above link will take you to the essay, Notes from the Margin of Spoilt Identity – The Art of Diane Arbus By Gerry Badger Published in Phototexts (1988) Topless dancer in her dressing room, San Francisco, California.Continue reading “Notes from the Margin of Spoilt Identity – The Art of Diane Arbus By Gerry Badger (1988)”

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