Formative Feedback for Assignment 4

Formative feedback Student name        Shaun Mullins Student number                 512659 Course/Unit          Self and Other Assignment number          4 Type of tutorial  Audio-Visual     Overall Comments A useful attempt to wrestle with the subjectivity of the photograph. A well referenced essay. Assignment 2 and 4 Assessment potential I understand your aim is to go for

A Haiku portraiture to Georgia O’Keeffe and Orville Cox

A Haiku portraiture to Georgia O’Keeffe and Orville Cox by Shaun Mullins, 2021. winter cumulus cowboys and desert roses eyes for mischief make Georgia O’Keeffe and Orville Cox at Canyon de Chelly National Monument Arizona, 1937, Ansel Adams. This is an Haiku exercise, using a photograph that I chose for the subject motivator for my

Photography A Very Short Introduction

Stephen Edwards, Photography A Very Short Introduction, 2006, Oxford: Oxford University Press, ISBN: 978-0-19-280164-7 (Kindle Edition). In my opinion, this is a very good book and a very important book to read for any photographer. Notes/Quotes: Documentary is said to provide its viewers with direct access to truth. In his pioneering book on the subject,

After You Dearest Photography, Reflections on the work of Francesca Woodman (1998) By David Lee Strauss

Francesca Woodman, Self-portrait, (1977) Strauss looks at the work by the artist Francesca Woodman, many of her pictures were self portraits. Sadly Woodman took her own life, whilst still only 22 years old. This latter fateful knowledge cannot help influencing the way we view her art. Because these are photographs, “evidence of a novel kind,”

A critical reflection.

My brief The readings, research and exercises should have led you to think about self portraiture in a variety of ways. Some practitioners deliberately play with ideas of fluidity and multiple selves, whilst still being anchored to a nominal self. Selfies, often used as self promotion, are intimately linked to their intended audience. Create a

Technical details and editing of Assignment 3

This image was created from a collage of four photographs that was first edited in Lightroom before being imported to Photoshop for the collage process. Camera, Nikon D800e, mounted to a tripod, 105mm f/2.8 macro lens, 1/250, f/3.2, ISO 100, manual focused and fired remotely, lighting: 2 x Bowens 500wt strobe lights, one through a

Exercise 3.1 – Your Selfie

A new portrait for my Facebook page. To obtain this picture, I took 120 shots. My problem was that I cannot see myself and although the other shots were mostly in good focus and exposure, my positioning was wrong, I had the wrong expression or I just did,’t like it. This was I thought the

Preparing, producing and editing Assignment 2

For this assignment, the social theme was based around a current social issue that is affecting millions of people, myself included, being furloughed from work as a result of the COVID pandemic. I therefor used myself as the subject and my home as this is the location of my furlough. I used a Nikon with

Questioning Identity: Gender, Class, Nation.

Kath Woodward, (ed.) (2000) Questioning Identity: Gender, Class, Nation, London: Routledge. ISBN: 0-415-22288-5. This publication is part a series of books for the study of social science through the Open University, published in 2000 it is probably a little dated now as it pulls from examples no later than the 1990s. However, as a book

Train Your Gaze

Roswell Angier, (2015) Train Your Gaze, (2nd ed.) London; New York: Bloomsbury, ISBN: 978-1-4725-2510-9. Divided into eleven chapters, each chapter ends with an assignment to put into practice the portraiture style that is discussed for that chapter, thus this book provides precisely what its title implies. That is teaching the various theoretical styles that have