Final Project (Assignment 6) Tutor’s Formative Feedback

Formative feedback Student name        Shaun Mullins Student number                 512659 Course/Unit          Self and Other Assignment number          6 Type of tutorial  Audio-Visual     Overall Comments An interesting interactive project that brings together your research and interests. A satisfying conclusion to the module. Feedback on assignment Demonstration of technical and Visual Skills, Quality of Outcome,

A Haiku portraiture to Georgia O’Keeffe and Orville Cox

A Haiku portraiture to Georgia O’Keeffe and Orville Cox by Shaun Mullins, 2021. winter cumulus cowboys and desert roses eyes for mischief make Georgia O’Keeffe and Orville Cox at Canyon de Chelly National Monument Arizona, 1937, Ansel Adams. This is an Haiku exercise, using a photograph that I chose for the subject motivator for my

Sophie Calle – Take Care of Yourself

Sophie Calle’s Prenez soin de vous (Take Care of Yourself), 2007. In response to an email from her boyfriend who was jilting her, Calle sent a copy of her email to 107 women that Calle chose for their profession or skills to interpret her letter. These woman analysed it, danced to it, sang it, and

Planning and preparing for assignment 1.

Due to the COVID epidemic getting photographs of anyone outside my household is proving very, difficult; so for my first assignment I have elected to keep it simple and use my wife and myself as the subjects. The photographers and their projects that have inspired me are Larry Sultan, Pictures of Home (1992) and Tina

Sally Mann

Sally Mann, born 1951, American photographer famous for her large-format black-and-white photographs. She fist photographed her young children then moved on to landscapes suggesting decay and death. Some of her photographs of her children would not be considered acceptable in today’s society due to their nudity and subject matter. Candy cigarette, (1986) by Sally Mann.

The Quest for the Man on the White Donkey

The Quest for the Man on the White Donkey (2012) by Yaakov Israel Yaakov Israel, The Quest for the Man on the White Donkey, (2012) Amsterdam Schilt Publishing. An interview with Yaakov Israel Yaakov Israel works with 8×10 and 4×5 inch cameras, he prefers this format because it slows down his process and due to

Porträt 1986-1991

Porträt (P. Lappat), 1987 by Thomas Ruff. Porträt (M. Roeser), 1999 by Thomas Ruff. Porträt (A. Kachold), 1987 by Thomas Ruff Ruff’s project Porträt 1986-1991 is a collection of photographs made like passport I.D. photos, only Ruff used a large format camera and printed the photographs size 1600 x 1205 mm at a printing quality for

Thomas Ruff

Portrait 1986 (Stoya) Photo by Thomas Ruff, Tate Collection. Reference: P78091 Display Caption – Tate Ruff believes that photography can only capture the surface of things, conveying what he describes as ‘the authenticity of a manipulated and prearranged reality’. In 1981, he began a series of colour portraits of his friends and fellow students at

Joel Sternfeld

Joel Sternfeld, born 1944, famously uses a large format camera for his images. Sternfeld is most famous for his American road trip, published in to a book, American Prospects (1987). Sternfeld has also published books about social class and stereotypes in America (Stranger Passing (2001)), an abandoned elevated railway in New York (Walking the High Line (2002)), and Sweet

Preliminary Exercise: The Clandestine Camera

For this exercise, I took photographs of people who were unaware of being subjects of photography. This exercise was (for me) not a comfortable project.  I therefore decided that I would try to respect my subject’s privacy, as best I could.  At the time I set out to accomplish this exercise it was at the