Learning Summary for Self and the Other

What did I do? Due to the COVID 19 epidemic, my options were limited for subjects to photograph however, I managed to get some photos of strangers right at the beginning before the full effect of the idea of mask wearing a social distance became to problematic and I turned to my wife and my

How to post to Instagram from a Mac

https://www.macworld.co.uk/how-to/instagram-for-mac-3641569/ Above is a website I found that could give advise to people wishing to upload their photos to Instagram from their I-Mac. I do not have a smart phone; so this is my only way of gaining access to an Instagram account of my creation. I have added my selfie photos to my account,

Final Project – Essay.

Behind this laughing mask of mine. Firstly, I would like to apologies to my audience with regards to my artistic project, for I am asking you to interpret my images as I see them. To be seen to represent an invisible metaphor for the political identity of self, but a photograph is not a literal

Critical reflection

For my final project I wanted to explore the idea of the politics of self. My idea was to employ masks to act as a form of metaphor for the ‘front’ that we put up, like a mask, to both disguise and project our identity to others. My original idea was to provide my subjects

Summary for Part 6: Pre-Assessment Tutorial.

Untitled, (2021) Shaun Mullins. For my final assignment I had decided to explore ideas of the politics of self with masks as metaphor for the front that we all put up when with others. This front is a kind of guard that protects as well as projects. At the time of preparing and conducting this

Planning and Preparation

For this assignment, I have taken my Tutor’s suggestion of recruiting volunteers to be my subjects from beyond my friends and family. I am involved with a student group that meets by internet video link once a month and I put out a request for my fellow students to take part. This is my original

Assignment 6 – Final Project

Behind this laughing mask of mine 2020 – 2021 ‘Every profound spirit needs a mask’ Nietzsche, Beyond Good an Evil, 1888. In the politics of self we put up a front to others, and this is worn as a type of mask that projects as well as it guards. For identity we wear many masks

Summary for Part 5 – Self Directed Project.

Shaun Mullins, Untitled, test shots, 2020. Part five was the preparation for my fifth assignment, this assignment is a pathway to my final body of work, a self directed project which will be assignment six. My inspiration lead from my essay for assignment four, and through my reading, In Our Own Image, Third Edition, 2010,

Ralph Eugene Meatyard

Ralph Eugene Meatyard, “Lucybelle Crater and her P.O. brother Lucybelle Crater,” 1970-72. Ralph Eugene Meatyard, The Family Album of Lucybelle Crater, 1970-72. Meatyard used masks, to acknowledge the incapacity and inadequacy of the portrait convention as a means of psychological disclosure. (Durden, 2014, p.66). His project, The Family album of Lucybelle Crater, 1970-72, was made in

The Presentation of Self In Everyday Life by Erving Goffman

Goffman, E. 1990, The Presentation Of Self In Everyday Life, London: Penguin Books. ISBN: 978-0-14-013571-8. First published in 1959, this book is a little dated in terms of reference to racial circumstances. However, on the whole this is a useful book to read, particularly for visual artists such as actors, and also playwrites, authors, and