Final Project – Essay.

Behind this laughing mask of mine. Firstly, I would like to apologies to my audience with regards to my artistic project, for I am asking you to interpret my images as I see them. To be seen to represent an invisible metaphor for the political identity of self, but a photograph is not a literal

Critical reflection

For my final project I wanted to explore the idea of the politics of self. My idea was to employ masks to act as a form of metaphor for the ‘front’ that we put up, like a mask, to both disguise and project our identity to others. My original idea was to provide my subjects

Summary for Part 6: Pre-Assessment Tutorial.

Untitled, (2021) Shaun Mullins. For my final assignment I had decided to explore ideas of the politics of self with masks as metaphor for the front that we all put up when with others. This front is a kind of guard that protects as well as projects. At the time of preparing and conducting this

Planning and Preparation

For this assignment, I have taken my Tutor’s suggestion of recruiting volunteers to be my subjects from beyond my friends and family. I am involved with a student group that meets by internet video link once a month and I put out a request for my fellow students to take part. This is my original

Assignment 6 – Final Project

Behind this laughing mask of mine 2020 – 2021 ‘Every profound spirit needs a mask’ Nietzsche, Beyond Good an Evil, 1888. In the politics of self we put up a front to others, and this is worn as a type of mask that projects as well as it guards. For identity we wear many masks

The Self-Portrait A Cultural History

The Self-Portrait A Cultural History, 2015, by James Hall, London: Thames & Hudson. ISBN: 978-0-500-29211-2 This book examines the history of the self-portrait, unfortunately I purchased a Kindle edition which unhelpfully doesn’t provide page numbers, this option is greyed out in the menu; so I am only able to quote location numbers (Loc) as provided

The Suit and the Photograph (1979) by John Berger

Young Farmers, 1914, August Sander. Country Band, Seigerland, 1913, August Sander. Stadtmissionare, 1931, August Sander. In John Berger’s essay, The Suit and the Photograph, Berger examines Sanders famous photograph The Young Farmers (1914). Berger suggests that the status of these three individuals can be deduced from their clothes. He begins by explaining that the dark

Research Point – Propaganda in an image.

Photo by Eddie Adams/Associated Press ‘Execution of a Viet Cong officer’, Saigon, Vietnam, 1968. South Vietnam National Police Chief Nguyen Ngoc Loan executes suspected Viet Cong member Nguyen Van Lem, on the second day of the Tet Offensive during the Vietnam War. The act was stunning in its casualness. Associated Press photographer Eddie Adams was

Exercise 2.1 – National Press

From studying Stuart Hall’s ideas of how an intended massage can be interpreted by different people: DOMINANT, NEGOTIATED, OPPOSITIONAL from my Reading Point 2.1 exercise, I have analysed this news media image using Hall’s three points-of-view. Daily Mail, Monday, 8th June, 2020, headline: “LAWLESS & RECKLESS”. This photo taken during the “Black Lives Matter” protests

Bibliography

Books Bang, M. (2000) Picture This How Pictures Work, San Francisco: Chronicle Books LLC. Barthes, R. (2000) Camera Lucida, London: Vintage. Barthes, R. (1977) Image Music Text, London: Fontana Press. Berger, J. (1980) About Looking, London: Bloomsbury. Berger, J. (1972) Ways of Seeing, London, Penguin. Bright, S. (ed.) (2013) Home Truths: Photography and Motherhood, London: