Image Makers Image Takers, 2010, by Anne-Celine Jaeger, London: Thames & Hudson. ISBN: 978-0-500-28892-4. This book examines different subjects practiced in contemporary photography by prominent contemporary artists and Art Photography related professionals with interviews asking them about their philosophies? Inspirations and influences? Equipment and technical methods used? Etc. Subjects covered: Art, Documentary, Fashion and Advertising,Continue reading “Image Makers Image Takers”
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Summary for Part 3, “Look at Me!” – The Representation of Self.
In section 3, “Look at Me!”, I studied the subject of ‘self’ and how it has and is used and interpreted in the portrait. I learned that the idea of the ‘selfie’ goes back beyond photography. Originally the early selfies where exclusively for the rich and powerful to express wealth and more importantly, power, examplesContinue reading “Summary for Part 3, “Look at Me!” – The Representation of Self.”
Notes from the Margin of Spoilt Identity – The Art of Diane Arbus By Gerry Badger (1988)
Notes from the Margin of Spoilt Identity – The Art of Diane Arbus by Gerry Badger (1988). The above link will take you to the essay, Notes from the Margin of Spoilt Identity – The Art of Diane Arbus By Gerry Badger Published in Phototexts (1988) Topless dancer in her dressing room, San Francisco, California.Continue reading “Notes from the Margin of Spoilt Identity – The Art of Diane Arbus By Gerry Badger (1988)”
diCorcia had become an important figure in contemporary art photography and his aesthetic and methodology has been a great influence and much emulated in both the art and commercial world. diCorcia’s style has been to create staged / fictional and highly stylised scenes using a constructed narrative view to follow a preconceived artistic stratagy. HisContinue reading “Philip-Lorca diCorcia”