Micro History

I recently switched to the new OCA website and took advantage of the free courses to help students navigate the new website and provide advice, suggestions and ideas for studying. When working my way through these courses I came across an interesting article about Micro Histories, these are recorded events of small insignificant moments mostly

Final Project – Essay.

Behind this laughing mask of mine. Firstly, I would like to apologies to my audience with regards to my artistic project, for I am asking you to interpret my images as I see them. To be seen to represent an invisible metaphor for the political identity of self, but a photograph is not a literal

Critical reflection

For my final project I wanted to explore the idea of the politics of self. My idea was to employ masks to act as a form of metaphor for the ‘front’ that we put up, like a mask, to both disguise and project our identity to others. My original idea was to provide my subjects

Summary for Part 6: Pre-Assessment Tutorial.

Untitled, (2021) Shaun Mullins. For my final assignment I had decided to explore ideas of the politics of self with masks as metaphor for the front that we all put up when with others. This front is a kind of guard that protects as well as projects. At the time of preparing and conducting this

Planning and Preparation

For this assignment, I have taken my Tutor’s suggestion of recruiting volunteers to be my subjects from beyond my friends and family. I am involved with a student group that meets by internet video link once a month and I put out a request for my fellow students to take part. This is my original

Assignment 6 – Final Project

Behind this laughing mask of mine 2020 – 2021 ‘Every profound spirit needs a mask’ Nietzsche, Beyond Good an Evil, 1888. In the politics of self we put up a front to others, and this is worn as a type of mask that projects as well as it guards. For identity we wear many masks

The Polaroid Book

The Polaroid Book, (2011) Edited by Steve Crist, Essay by Barbara Hitchcock, London: TASCHEN. ISBN: 978-3-8365-0189-7. This is a book illustrating a pick of Polaroid photographs taken from the Polaroid companies collection that were made by artists for the company. The book includes a short essay on the history of Polaroid and how it came

The Self-Portrait A Cultural History

The Self-Portrait A Cultural History, 2015, by James Hall, London: Thames & Hudson. ISBN: 978-0-500-29211-2 This book examines the history of the self-portrait, unfortunately I purchased a Kindle edition which unhelpfully doesn’t provide page numbers, this option is greyed out in the menu; so I am only able to quote location numbers (Loc) as provided

Photography Today

Photography Today, 2014, by Mark Durden, London: Phaidon. ISBN: 978-0-7148-4563-0. This is an illustrated book examining the work of contemporary photographic artists from the 1960s to present day. The book is divided into subjects covering: The Copy: Authorship and Reproduction, The Face: The Pose and the Mask, Colour: Surface and Depth, The Street: Discord and Harmony,

100 Ideas That Changed Photography

100 Ideas That Changed Photography, 2012, by Mary Warner Marien, London: King Publishing Ltd. ISBN: 978-1-85669-796-5. This is a very good – go to – book for anyone keen on photography and looking for ideas for projects, or just for a better understanding of its history and the various technical and artistic practices linked to