The Self-Portrait A Cultural History

The Self-Portrait A Cultural History, 2015, by James Hall, London: Thames & Hudson. ISBN: 978-0-500-29211-2 This book examines the history of the self-portrait, unfortunately I purchased a Kindle edition which unhelpfully doesn’t provide page numbers, this option is greyed out in the menu; so I am only able to quote location numbers (Loc) as providedContinue reading “The Self-Portrait A Cultural History”

Reflection point – seeing ourselves through technology

As Jill Walker Rettberg in her book​ ​Seeing Ourselves Through Technology​ says, ‘[p]erhaps the reason we feel the need to take another, and another selfie, is in part that we, as the surrealists wrote in 1928, never seem able to create a photo that will ‘fully correspond to what you want to see in yourself’’’ (Walker Rettberg,Continue reading “Reflection point – seeing ourselves through technology”

Exercise 2.4 – Stanley Wolukau-Wanambwa

Stanley Wolukau-Wanambwa position appears to be one of prejudice, based on history, perhaps before writing his scathing critic he should have first contacted the artist to clarify their position, rather than simply damning their work. I believe Hoek’s intentions were honourable and as he points out as photographers and artist work can be about theContinue reading “Exercise 2.4 – Stanley Wolukau-Wanambwa”

Notes from the Margin of Spoilt Identity – The Art of Diane Arbus By Gerry Badger (1988)

Notes from the Margin of Spoilt Identity – The Art of Diane Arbus by Gerry Badger (1988). The above link will take you to the essay, Notes from the Margin of Spoilt Identity – The Art of Diane Arbus By Gerry Badger Published in Phototexts (1988) Topless dancer in her dressing room, San Francisco, California.Continue reading “Notes from the Margin of Spoilt Identity – The Art of Diane Arbus By Gerry Badger (1988)”

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