Critical reflection

For my final project I wanted to explore the idea of the politics of self. My idea was to employ masks to act as a form of metaphor for the ‘front’ that we put up, like a mask, to both disguise and project our identity to others. My original idea was to provide my subjects

Shizuka Yokomizo – Stranger

Shizuka Yokomizo’ project, Stranger, 1998 -2000, consisted of Yokomizo sending anonymous letters to her subjects asking them to stand in front of their from windows at an appointed time, and she would then spend a couple of minutes photographing them through their window from the street. Shizuka Yokomizo, Stranger, 1998 -2000. Dear Stranger, I am

Between The Eyes, Essays on Photography and politics.

Between The Eyes, Essays on Photography and Politics, (2005) by David Levi Strauss, New York: Aperture. ISBN: 978-1-59711-214-7. Strauss looks at how politics has influenced art taking examples of the Vietnam war, San Salvador, The Gulf war, Rwanda, 911, etc. Notes. Journalists working for the largest news media outlets in America operate under the institutional

Assignment 3 – Different Selves

The greatest journey we make is life, from this odyssey we build our own unique collage that we call identity. “I am multiples of myself.” If I am to ask myself who am I? My true answer would be more complex than simply Shaun Mullins. So who am I? I am a child; I’m young

Reading Task – The Impossibilities to shoot as a white photographer on the African Continent by Jan Hoek

https://americansuburbx.com/2015/11/the-impossibilities-to-shoot-as-a-white-p hotographer-on-the-african-continent.html Jan Hoek wrote a reply to Wolukau-Wanambwa’s critique of Sassen’s, de Midel’s and his work defending his non-racist intentions. Perhaps, we must all ask ourselves can we truly ever be totally unprejudiced as a human race? Notes and Quotes In an article on Aperture.org (http://aperture.org/blog/lives-others/), Stanley Wolukau-Wanambwawiped the floor with the work of artists Vivanne

Susan Sontag’s criticism of Diane Arbus

From On Photography, (1977) Susan Sontag, London: Penguin, pages 32-48. Untitled – 1, 1970-1971. Diane Arbus Notes & passages of interest. Sontag begins her essay comparing an exhibition of 112 photographs by Diane Arbus that was exhibited in 1972 in at The Museum of Modern Art (MOMA) in New York city that drew large crowds