A critical reflection.

My brief The readings, research and exercises should have led you to think about self portraiture in a variety of ways. Some practitioners deliberately play with ideas of fluidity and multiple selves, whilst still being anchored to a nominal self. Selfies, often used as self promotion, are intimately linked to their intended audience. Create aContinue reading “A critical reflection.”

Assignment 3 – Different Selves

The greatest journey we make is life, from this odyssey we build our own unique collage that we call identity. “I am multiples of myself.” If I am to ask myself who am I? My true answer would be more complex than simply Shaun Mullins. So who am I? I am a child; I’m youngContinue reading “Assignment 3 – Different Selves”

My Other Half – a critical self-review.

My Other Half – A critical self-review by Shaun Mullins. The objective of this project was to create 6-10 environmental portraits and I chose to produce photographs of my wife in different locations in our home, dressed for and performing the typical activities that I often see her doing.  I wanted to convey the ideaContinue reading “My Other Half – a critical self-review.”

Summary for Part 3, “Look at Me!” – The Representation of Self.

In section 3, “Look at Me!”, I studied the subject of ‘self’ and how it has and is used and interpreted in the portrait. I learned that the idea of the ‘selfie’ goes back beyond photography. Originally the early selfies where exclusively for the rich and powerful to express wealth and more importantly, power, examplesContinue reading “Summary for Part 3, “Look at Me!” – The Representation of Self.”

Exercise 3.2 – Four Image-Repertoires

Exploring Roland Barthes theory regarding four image-repertoires, (Barthes, 2000, p.13) I have asked my friend (Graham) to pose for me with the intention of presenting himself as, ‘who he thinks he is’, and how he wants to be perceived. Graham asked that I photograph him cleaning his shotgun, as he sees himself as an outdoorsContinue reading “Exercise 3.2 – Four Image-Repertoires”

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