Blumenfeld a fetish for beauty

Blumenfeld a fetish for beauty, 1996, Edited by William A Ewing in collaboration with Marina Schinz, London: Thames & Hudson. ISBN: 0-500-54202-3. A good reference book with an essay on Blumenfeld’s life and the artistic movements that influenced him. Examples: Eva Penninck, Amsterdam, 1932, Erwin Blumenfeld. Momie vivante, Amsterdam, 1932, Erwin Blumenfeld. The Art Dealer

Voici Paris Modernite’s Phographiques, 1920 – 1950

Voici Paris Modernite’s Photographiques, 1920 – 1950 (2012) Edited by Quentin Bejac and Clement Cheroux, Paris: Centre Pompidou. ISBN: 978-2-84426-584-5. This is an accompanying book to an exhibition held at the Centre Pompidou in Paris between 2012 and 2013, illustrating photographs of Paris in the modernity style taken between 1920 and 1950 by many great

Man Ray

Man Ray, Emmanuelle de l’Ecotais, Katherine Ware, (2004) Ed. Manfred Heiting, London: TASCHEN. ISBN: 9-783822-834831. This book has two essays written about Man Ray’s life and his time in Paris and is full of examples of his photographs that he made during his time in Paris before world war two. A very good reference book

Formative Feedback for Assignment 3

Formative feedback Student name        Shaun Mullins Student number                 512659 Course/Unit          Self and Other Assignment number          3 Type of tutorial  Audio-Visual     Overall Comments A useful start based on decent preparatory research. Feedback on assignment Demonstration of technical and Visual Skills, Quality of Outcome, Demonstration of Creativity Notes on, and in addition to,

How to post to Instagram from a Mac

https://www.macworld.co.uk/how-to/instagram-for-mac-3641569/ Above is a website I found that could give advise to people wishing to upload their photos to Instagram from their I-Mac. I do not have a smart phone; so this is my only way of gaining access to an Instagram account of my creation. I have added my selfie photos to my account,

Final Project – Essay.

Behind this laughing mask of mine. Firstly, I would like to apologies to my audience with regards to my artistic project, for I am asking you to interpret my images as I see them. To be seen to represent an invisible metaphor for the political identity of self, but a photograph is not a literal

Critical reflection

For my final project I wanted to explore the idea of the politics of self. My idea was to employ masks to act as a form of metaphor for the ‘front’ that we put up, like a mask, to both disguise and project our identity to others. My original idea was to provide my subjects

Picture This How Pictures Work

Picture This How Pictures Work, 2000, Molly Bang, San Francisco: Chronicle Books LLC. ISBN: 978-1-58717-030-0. I purchased this book in my charity shop. This is a great little book that takes you back to basics. Using just shapes and colours, Molly Bang deconstructs composition and examines each element that makes a good picture work. The

Summary for Part 6: Pre-Assessment Tutorial.

Untitled, (2021) Shaun Mullins. For my final assignment I had decided to explore ideas of the politics of self with masks as metaphor for the front that we all put up when with others. This front is a kind of guard that protects as well as projects. At the time of preparing and conducting this

Planning and Preparation

For this assignment, I have taken my Tutor’s suggestion of recruiting volunteers to be my subjects from beyond my friends and family. I am involved with a student group that meets by internet video link once a month and I put out a request for my fellow students to take part. This is my original