A Haiku portraiture to Georgia O’Keeffe and Orville Cox

A Haiku portraiture to Georgia O’Keeffe and Orville Cox by Shaun Mullins, 2021. winter cumulus cowboys and desert roses eyes for mischief make Georgia O’Keeffe and Orville Cox at Canyon de Chelly National Monument Arizona, 1937, Ansel Adams. This is an Haiku exercise, using a photograph that I chose for the subject motivator for my

Final Project – Essay.

Behind this laughing mask of mine. Firstly, I would like to apologies to my audience with regards to my artistic project, for I am asking you to interpret my images as I see them. To be seen to represent an invisible metaphor for the political identity of self, but a photograph is not a literal

Summary for Part 6: Pre-Assessment Tutorial.

Untitled, (2021) Shaun Mullins. For my final assignment I had decided to explore ideas of the politics of self with masks as metaphor for the front that we all put up when with others. This front is a kind of guard that protects as well as projects. At the time of preparing and conducting this

Assignment 6 – Final Project

Behind this laughing mask of mine 2020 – 2021 ‘Every profound spirit needs a mask’ Nietzsche, Beyond Good an Evil, 1888. In the politics of self we put up a front to others, and this is worn as a type of mask that projects as well as it guards. For identity we wear many masks

The Cruel Radiance

The Cruel Radiance, 2012, Susie Linfield, Chicago: The University of Chicago Press. ISBN: 978-0-226-48251-4. This is a very interesting book and I found it to be a good read. Linfield writes in defence of photography against what she describes as a popular and institutional attack on the medium by critics and even other photographers. She

Photography A Very Short Introduction

Stephen Edwards, Photography A Very Short Introduction, 2006, Oxford: Oxford University Press, ISBN: 978-0-19-280164-7 (Kindle Edition). In my opinion, this is a very good book and a very important book to read for any photographer. Notes/Quotes: Documentary is said to provide its viewers with direct access to truth. In his pioneering book on the subject,

Between The Eyes, Essays on Photography and politics.

Between The Eyes, Essays on Photography and Politics, (2005) by David Levi Strauss, New York: Aperture. ISBN: 978-1-59711-214-7. Strauss looks at how politics has influenced art taking examples of the Vietnam war, San Salvador, The Gulf war, Rwanda, 911, etc. Notes. Journalists working for the largest news media outlets in America operate under the institutional

Notes from my video link with my Tutor

My Tutor made four recommendations for my essay. One was simply a typo error the second was to refer to the various types of handmade drawings and the third and forth was to add some quotes to reinforce my statements. From: – The idea that the camera ‘never lies’ started at the very beginning of

Assignment 4 – Essay

Other Than You. By Shaun Mullins (512659) Assignment 4, PH5SAO – The Self and The Other. Word count without quotations and footnotes: 2563.  Including quotations and footnotes Total: 3931. Sources: Barthes, 2000; 1977; Kelly, Self Image, Personal is Political, 1979; Kuhn, Remembrance, The child I never was, 1991; Ritchin, 2010; Spence, Facing Up To Myself,

Reading Photographs – In Our Own Image, by Fred Ritchin

Peter Kennard and Cat Phillips created the image, titled: Photo Op, in 2005. From Fred Ritchin’s book, In Our Own Image, his essay, Reading Photographs, (Ritchin, 2010) discusses the authenticity of a photograph. He asks, …after all that is happening in computer imaging can one safeguard the integrity of the photograph in its populist role