Learning Summary for Self and the Other

What did I do? Due to the COVID 19 epidemic, my options were limited for subjects to photograph however, I managed to get some photos of strangers right at the beginning before the full effect of the idea of mask wearing a social distance became to problematic and I turned to my wife and my

Critical reflection

The Brief: Produce a story with a social theme. Your project should combine portraits, objects and spaces to describe your subject matter. You should produce between 8 – 12 images to demonstrate an ethical practice. At the time of producing this project, I found myself in the middle of a world pandemic as a result

Notes from my video link with my Tutor

My Tutor made four recommendations for my essay. One was simply a typo error the second was to refer to the various types of handmade drawings and the third and forth was to add some quotes to reinforce my statements. From: – The idea that the camera ‘never lies’ started at the very beginning of

Assignment 4 – Essay

Other Than You. By Shaun Mullins (512659) Assignment 4, PH5SAO – The Self and The Other. Word count without quotations and footnotes: 2563.  Including quotations and footnotes Total: 3931. Sources: Barthes, 2000; 1977; Kelly, Self Image, Personal is Political, 1979; Kuhn, Remembrance, The child I never was, 1991; Ritchin, 2010; Spence, Facing Up To Myself,

Reading Photographs – In Our Own Image, by Fred Ritchin

Peter Kennard and Cat Phillips created the image, titled: Photo Op, in 2005. From Fred Ritchin’s book, In Our Own Image, his essay, Reading Photographs, (Ritchin, 2010) discusses the authenticity of a photograph. He asks, …after all that is happening in computer imaging can one safeguard the integrity of the photograph in its populist role

‘Facing Up To Myself’ by Jo Spence (1978)

Jo Spence, Photo Therapy: Infantilization, 1984. The above link (accessed, 26/10/2020) is a pdf copy of an article published in Spare Rib magazine, March 1978 by Jo Spence, Facing Up To Myself (1978). Available from https://journalarchives.jisc.ac.uk/home (accessed 26/10/2020). Notes: As a photographer, Jo Spence, realised, That a single image could not convey someone’s essence. (Spare

Planning and Preparation for Assignment 3

Shaun Mullins (Untitled) 2020, Different Selves My brief The readings, research and exercises should have led you to think about self portraiture in a variety of ways. Some practitioners deliberately play with ideas of fluidity and multiple selves, whilst still being anchored to a nominal self. Selfies, often used as self promotion, are intimately linked

Assignment 1 – Written Feedback

Above is attached a WordDoc for my Tutor’s written feedback for my first assignment. Overall Comments A successful piece of work based on good preparation that meets the brief. Feedback on assignment Demonstration of technical and Visual Skills, Quality of Outcome, Demonstration of Creativity Notes on, and in addition to, video tutorial [You need to

Summary for Part 3, “Look at Me!” – The Representation of Self.

In section 3, “Look at Me!”, I studied the subject of ‘self’ and how it has and is used and interpreted in the portrait. I learned that the idea of the ‘selfie’ goes back beyond photography. Originally the early selfies where exclusively for the rich and powerful to express wealth and more importantly, power, examples

Summary for Part 2, Other

Part 2, Other, began by looking at how photography has played its part in violence against the other, siting Victorian photography as one example of asserting colonial power over weaker subjected peoples of other ethnic and cultural societies. Artists such as Mark Sealy have been addressing these troubling histories with work and exhibitions such as