Final Project – Essay.

Behind this laughing mask of mine. Firstly, I would like to apologies to my audience with regards to my artistic project, for I am asking you to interpret my images as I see them. To be seen to represent an invisible metaphor for the political identity of self, but a photograph is not a literal

Assignment 6 – Final Project

Behind this laughing mask of mine 2020 – 2021 ‘Every profound spirit needs a mask’ Nietzsche, Beyond Good an Evil, 1888. In the politics of self we put up a front to others, and this is worn as a type of mask that projects as well as it guards. For identity we wear many masks

Shizuka Yokomizo – Stranger

Shizuka Yokomizo’ project, Stranger, 1998 -2000, consisted of Yokomizo sending anonymous letters to her subjects asking them to stand in front of their from windows at an appointed time, and she would then spend a couple of minutes photographing them through their window from the street. Shizuka Yokomizo, Stranger, 1998 -2000. Dear Stranger, I am

Assignment 5: Self Directed Project. (Work in Progress)

The Politics of Self & Other My idea for a theme is a critical look at how we regard ourselves and others from a political angle. I want to explore ideas of ‘self and other based upon a form of political ideology and to be more specific consider how portraits are viewed from the angles

Uses of Photography (1978) by John Berger

Quotations from Uses of Photography by John Berger. “Through photographs, the world becomes a series of unrelated, free-standing particles; and history, past and present, a set of anecdotes and fait divers. The camera makes reality atomic, manageable, and opaque. It is a view of the world which denies interconnectedness, continuity, but which confers on each

Remembrance, The child I never was, by Annette Kuhn

Remembrance, The child I never was, (1991) by Annette Kuhn from The Photography Reader, edited by Liz Wells, (2003) Routledge, Abingdon. Annette Kuhn as a child, by Harry Kuhn, circa, early 1950’s, exact date unknown. Kuhn uses a photograph taken of herself as a child as the theme to her story or as she says

Reading Task – White Privilege: Unpacking the Invisible Knapsack​ by Peggy McIntosh.

White Privilege: Unpacking the Invisible Knapsack​ by Peggy McIntosh. (1988) Notes and Quotes McIntosh starts her essay discussing how men have more power and privilege over women and that although men may accept that women are not treated equally to men, few men would agree that they are over privileged and should give some of it

Exercise 2.4 – Stanley Wolukau-Wanambwa

Stanley Wolukau-Wanambwa position appears to be one of prejudice, based on history, perhaps before writing his scathing critic he should have first contacted the artist to clarify their position, rather than simply damning their work. I believe Hoek’s intentions were honourable and as he points out as photographers and artist work can be about the

Reading Task – ‘The Lives of Others’ by Stanley Wolukau-Wanambwa

The Lives of Others The above link is for the essay’ The Lives of Others, (2015) by Stanley Wolukay-Wanambewa. (2015), first appeared in issue 17 of the Aperture Photography App. He starts his essay critiquing a photo book of the Dutch photographer Jan Hoek’s New Ways of Photographing the New Masai (Art Paper Editions, 2014). Notes and

Exercise 2.1 – National Press

From studying Stuart Hall’s ideas of how an intended massage can be interpreted by different people: DOMINANT, NEGOTIATED, OPPOSITIONAL from my Reading Point 2.1 exercise, I have analysed this news media image using Hall’s three points-of-view. Daily Mail, Monday, 8th June, 2020, headline: “LAWLESS & RECKLESS”. This photo taken during the “Black Lives Matter” protests