Man Ray

Man Ray, Emmanuelle de l’Ecotais, Katherine Ware, (2004) Ed. Manfred Heiting, London: TASCHEN. ISBN: 9-783822-834831. This book has two essays written about Man Ray’s life and his time in Paris and is full of examples of his photographs that he made during his time in Paris before world war two. A very good reference bookContinue reading “Man Ray”

Shizuka Yokomizo – Stranger

Shizuka Yokomizo’ project, Stranger, 1998 -2000, consisted of Yokomizo sending anonymous letters to her subjects asking them to stand in front of their from windows at an appointed time, and she would then spend a couple of minutes photographing them through their window from the street. Shizuka Yokomizo, Stranger, 1998 -2000. Dear Stranger, I amContinue reading “Shizuka Yokomizo – Stranger”

Ralph Eugene Meatyard

Ralph Eugene Meatyard, “Lucybelle Crater and her P.O. brother Lucybelle Crater,” 1970-72. Ralph Eugene Meatyard, The Family Album of Lucybelle Crater, 1970-72. Meatyard used masks, to acknowledge the incapacity and inadequacy of the portrait convention as a means of psychological disclosure. (Durden, 2014, p.66). His project, The Family album of Lucybelle Crater, 1970-72, was made inContinue reading “Ralph Eugene Meatyard”

After You Dearest Photography, Reflections on the work of Francesca Woodman (1998) By David Lee Strauss

Francesca Woodman, Self-portrait, (1977) Strauss looks at the work by the artist Francesca Woodman, many of her pictures were self portraits. Sadly Woodman took her own life, whilst still only 22 years old. This latter fateful knowledge cannot help influencing the way we view her art. Because these are photographs, “evidence of a novel kind,”Continue reading “After You Dearest Photography, Reflections on the work of Francesca Woodman (1998) By David Lee Strauss”

Reading Photographs – In Our Own Image, by Fred Ritchin

Peter Kennard and Cat Phillips created the image, titled: Photo Op, in 2005. From Fred Ritchin’s book, In Our Own Image, his essay, Reading Photographs, (Ritchin, 2010) discusses the authenticity of a photograph. He asks, …after all that is happening in computer imaging can one safeguard the integrity of the photograph in its populist roleContinue reading “Reading Photographs – In Our Own Image, by Fred Ritchin”

Summary for Part 3, “Look at Me!” – The Representation of Self.

In section 3, “Look at Me!”, I studied the subject of ‘self’ and how it has and is used and interpreted in the portrait. I learned that the idea of the ‘selfie’ goes back beyond photography. Originally the early selfies where exclusively for the rich and powerful to express wealth and more importantly, power, examplesContinue reading “Summary for Part 3, “Look at Me!” – The Representation of Self.”

Exercise 3.2 – Four Image-Repertoires

Exploring Roland Barthes theory regarding four image-repertoires, (Barthes, 2000, p.13) I have asked my friend (Graham) to pose for me with the intention of presenting himself as, ‘who he thinks he is’, and how he wants to be perceived. Graham asked that I photograph him cleaning his shotgun, as he sees himself as an outdoorsContinue reading “Exercise 3.2 – Four Image-Repertoires”

Summary for Part 1, Looking at Them – The Representation of the Other.

I began this section with a preliminary exercise as a kind ice breaker in which I took photographs of people incognito and this really reaffirmed my discomfort of street photography which I think has become much harder to practise in our modern society that is now always under the gaze of CCTV and the worldContinue reading “Summary for Part 1, Looking at Them – The Representation of the Other.”

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