Learning Summary for Self and the Other

What did I do? Due to the COVID 19 epidemic, my options were limited for subjects to photograph however, I managed to get some photos of strangers right at the beginning before the full effect of the idea of mask wearing a social distance became to problematic and I turned to my wife and my

Final Project – Essay.

Behind this laughing mask of mine. Firstly, I would like to apologies to my audience with regards to my artistic project, for I am asking you to interpret my images as I see them. To be seen to represent an invisible metaphor for the political identity of self, but a photograph is not a literal

Critical reflection

For my final project I wanted to explore the idea of the politics of self. My idea was to employ masks to act as a form of metaphor for the ‘front’ that we put up, like a mask, to both disguise and project our identity to others. My original idea was to provide my subjects

Summary for Part 6: Pre-Assessment Tutorial.

Untitled, (2021) Shaun Mullins. For my final assignment I had decided to explore ideas of the politics of self with masks as metaphor for the front that we all put up when with others. This front is a kind of guard that protects as well as projects. At the time of preparing and conducting this

Planning and Preparation

For this assignment, I have taken my Tutor’s suggestion of recruiting volunteers to be my subjects from beyond my friends and family. I am involved with a student group that meets by internet video link once a month and I put out a request for my fellow students to take part. This is my original

Assignment 6 – Final Project

Behind this laughing mask of mine 2020 – 2021 ‘Every profound spirit needs a mask’ Nietzsche, Beyond Good an Evil, 1888. In the politics of self we put up a front to others, and this is worn as a type of mask that projects as well as it guards. For identity we wear many masks

The Self-Portrait A Cultural History

The Self-Portrait A Cultural History, 2015, by James Hall, London: Thames & Hudson. ISBN: 978-0-500-29211-2 This book examines the history of the self-portrait, unfortunately I purchased a Kindle edition which unhelpfully doesn’t provide page numbers, this option is greyed out in the menu; so I am only able to quote location numbers (Loc) as provided

Photography Today

Photography Today, 2014, by Mark Durden, London: Phaidon. ISBN: 978-0-7148-4563-0. This is an illustrated book examining the work of contemporary photographic artists from the 1960s to present day. The book is divided into subjects covering: The Copy: Authorship and Reproduction, The Face: The Pose and the Mask, Colour: Surface and Depth, The Street: Discord and Harmony,

Summary for Part 5 – Self Directed Project.

Shaun Mullins, Untitled, test shots, 2020. Part five was the preparation for my fifth assignment, this assignment is a pathway to my final body of work, a self directed project which will be assignment six. My inspiration lead from my essay for assignment four, and through my reading, In Our Own Image, Third Edition, 2010,

Assignment 5 – Written Report

Overall Comments A useful start based on decent preparatory research. Feedback on assignment Demonstration of technical and Visual Skills, Quality of Outcome, Demonstration of Creativity Notes on, and in addition to, video tutorial [my notes in italics] You have recommended that I research Ralph Eugene Meatyard and Gillian Wearing as to what their original intentions