Planning and Preparation

For this assignment, I have taken my Tutor’s suggestion of recruiting volunteers to be my subjects from beyond my friends and family. I am involved with a student group that meets by internet video link once a month and I put out a request for my fellow students to take part. This is my original

The Self-Portrait A Cultural History

The Self-Portrait A Cultural History, 2015, by James Hall, London: Thames & Hudson. ISBN: 978-0-500-29211-2 This book examines the history of the self-portrait, unfortunately I purchased a Kindle edition which unhelpfully doesn’t provide page numbers, this option is greyed out in the menu; so I am only able to quote location numbers (Loc) as provided

Notes from my video link with my Tutor

My Tutor made four recommendations for my essay. One was simply a typo error the second was to refer to the various types of handmade drawings and the third and forth was to add some quotes to reinforce my statements. From: – The idea that the camera ‘never lies’ started at the very beginning of

Sexuality, Documents of Contemporary Art.

Amelia Jones, (ed.) (2014) Sexuality, Documents of Contemporary Art, London: Whitechapel Art Gallery. ISBN: 978-0-85488-224-3. This book is a collection of essays and interviews. Many of the artists are involved in performance art in which they will either perform in front of a live audience or video their work. Much of the discussion is in

Assignment 4 – Essay

Other Than You. By Shaun Mullins (512659) Assignment 4, PH5SAO – The Self and The Other. Word count without quotations and footnotes: 2563.  Including quotations and footnotes Total: 3931. Sources: Barthes, 2000; 1977; Kelly, Self Image, Personal is Political, 1979; Kuhn, Remembrance, The child I never was, 1991; Ritchin, 2010; Spence, Facing Up To Myself,

After You Dearest Photography, Reflections on the work of Francesca Woodman (1998) By David Lee Strauss

Francesca Woodman, Self-portrait, (1977) Strauss looks at the work by the artist Francesca Woodman, many of her pictures were self portraits. Sadly Woodman took her own life, whilst still only 22 years old. This latter fateful knowledge cannot help influencing the way we view her art. Because these are photographs, “evidence of a novel kind,”

Self Image, Personal is political (1979) by Angela Kelly

Women’s Identity (1975 – 1979) Angela Kelly This essay, Kelly examines the use and mis-use of self portraiture, to quote Kelly: to determine what relevance a seemingly private practice has to a public audience. (p.410, Wells, 2003). Kelly suggests in her essay, that at the time of writing, self-portraiture had not been properly analysed. As

Remembrance, The child I never was, by Annette Kuhn

Remembrance, The child I never was, (1991) by Annette Kuhn from The Photography Reader, edited by Liz Wells, (2003) Routledge, Abingdon. Annette Kuhn as a child, by Harry Kuhn, circa, early 1950’s, exact date unknown. Kuhn uses a photograph taken of herself as a child as the theme to her story or as she says

‘Facing Up To Myself’ by Jo Spence (1978)

Jo Spence, Photo Therapy: Infantilization, 1984. The above link (accessed, 26/10/2020) is a pdf copy of an article published in Spare Rib magazine, March 1978 by Jo Spence, Facing Up To Myself (1978). Available from https://journalarchives.jisc.ac.uk/home (accessed 26/10/2020). Notes: As a photographer, Jo Spence, realised, That a single image could not convey someone’s essence. (Spare

My Other Half – a critical self-review.

My Other Half – A critical self-review by Shaun Mullins. The objective of this project was to create 6-10 environmental portraits and I chose to produce photographs of my wife in different locations in our home, dressed for and performing the typical activities that I often see her doing.  I wanted to convey the idea