Final Project – Essay.

Behind this laughing mask of mine. Firstly, I would like to apologies to my audience with regards to my artistic project, for I am asking you to interpret my images as I see them. To be seen to represent an invisible metaphor for the political identity of self, but a photograph is not a literal

Summary for Part 6: Pre-Assessment Tutorial.

Untitled, (2021) Shaun Mullins. For my final assignment I had decided to explore ideas of the politics of self with masks as metaphor for the front that we all put up when with others. This front is a kind of guard that protects as well as projects. At the time of preparing and conducting this

Assignment 6 – Final Project

Behind this laughing mask of mine 2020 – 2021 ‘Every profound spirit needs a mask’ Nietzsche, Beyond Good an Evil, 1888. In the politics of self we put up a front to others, and this is worn as a type of mask that projects as well as it guards. For identity we wear many masks

The Self-Portrait A Cultural History

The Self-Portrait A Cultural History, 2015, by James Hall, London: Thames & Hudson. ISBN: 978-0-500-29211-2 This book examines the history of the self-portrait, unfortunately I purchased a Kindle edition which unhelpfully doesn’t provide page numbers, this option is greyed out in the menu; so I am only able to quote location numbers (Loc) as provided

Photography A Very Short Introduction

Stephen Edwards, Photography A Very Short Introduction, 2006, Oxford: Oxford University Press, ISBN: 978-0-19-280164-7 (Kindle Edition). In my opinion, this is a very good book and a very important book to read for any photographer. Notes/Quotes: Documentary is said to provide its viewers with direct access to truth. In his pioneering book on the subject,

Between The Eyes, Essays on Photography and politics.

Between The Eyes, Essays on Photography and Politics, (2005) by David Levi Strauss, New York: Aperture. ISBN: 978-1-59711-214-7. Strauss looks at how politics has influenced art taking examples of the Vietnam war, San Salvador, The Gulf war, Rwanda, 911, etc. Notes. Journalists working for the largest news media outlets in America operate under the institutional

In Our Own Image.

In Our Own Image, 3rd Edition, 2010, by Fred Ritchin, New York: Aperture. ISBN:978-1-59711-164-5. This book was originally published under the title, The Coming Revolution in Photography, in the early 1990’s and was revised and republished in 2010. Ritchin’s topic for the book is his concern for the future of photography as a result of

Summary for Part 1, Looking at Them – The Representation of the Other.

I began this section with a preliminary exercise as a kind ice breaker in which I took photographs of people incognito and this really reaffirmed my discomfort of street photography which I think has become much harder to practise in our modern society that is now always under the gaze of CCTV and the world

Reading Task – ‘The Lives of Others’ by Stanley Wolukau-Wanambwa

The Lives of Others The above link is for the essay’ The Lives of Others, (2015) by Stanley Wolukay-Wanambewa. (2015), first appeared in issue 17 of the Aperture Photography App. He starts his essay critiquing a photo book of the Dutch photographer Jan Hoek’s New Ways of Photographing the New Masai (Art Paper Editions, 2014). Notes and

Exercise 2.2 – ‘Kept from View’

In today’s world and society there are still groups of people kept from view. Some are kept out of view by others for political or economic reasons and some through our own guilt. The Homeless. The mentally ill. Modern slavery/workers bonded to an employer by a dept. Families under the poverty line / the poor.