Blumenfeld a fetish for beauty

Blumenfeld a fetish for beauty, 1996, Edited by William A Ewing in collaboration with Marina Schinz, London: Thames & Hudson. ISBN: 0-500-54202-3. A good reference book with an essay on Blumenfeld’s life and the artistic movements that influenced him. Examples: Eva Penninck, Amsterdam, 1932, Erwin Blumenfeld. Momie vivante, Amsterdam, 1932, Erwin Blumenfeld. The Art Dealer

The Nude Figure A Visual reference for the Artist

The Nude Figure A Visual Reference for the Artist, (1998) Mark Edward Smith, New York, Watson-Guptill Publications. ISBN: 978-0-8230-3232-9 Another book I picked up from my charity bookshop last year. This is a book of black-and-white photographs of nude poses for ideas and guidance, based on many typical poses found in paintings and art photographs.

Summary for Part 6: Pre-Assessment Tutorial.

Untitled, (2021) Shaun Mullins. For my final assignment I had decided to explore ideas of the politics of self with masks as metaphor for the front that we all put up when with others. This front is a kind of guard that protects as well as projects. At the time of preparing and conducting this

100 Ideas That Changed Photography

100 Ideas That Changed Photography, 2012, by Mary Warner Marien, London: King Publishing Ltd. ISBN: 978-1-85669-796-5. This is a very good – go to – book for anyone keen on photography and looking for ideas for projects, or just for a better understanding of its history and the various technical and artistic practices linked to

After You Dearest Photography, Reflections on the work of Francesca Woodman (1998) By David Lee Strauss

Francesca Woodman, Self-portrait, (1977) Strauss looks at the work by the artist Francesca Woodman, many of her pictures were self portraits. Sadly Woodman took her own life, whilst still only 22 years old. This latter fateful knowledge cannot help influencing the way we view her art. Because these are photographs, “evidence of a novel kind,”

Katy Grannan

Katy Grannan, born 1969. An American photographer and film maker, he prefers to photograph strangers by placing adverts in newspapers asking for “people for portraits” Our Little Secret (2005) the volunteers sometimes posed nude and often chose to pose in vacant lots or rooms with low ceilings. In a similar project, Dream America, (2000) Grannan

Sophie Calle

Sophie Calle has produces several projects using the idea on the clandestine camera, in one project named The Shadow (1981) she asked her mother to hire a Private Investigator to follow Sophie around Paris as she went about her normal routines. The result was a collection of photographs taken at a distance with out a