Exercise 3.1 – Your Selfie

A new portrait for my Facebook page. To obtain this picture, I took 120 shots. My problem was that I cannot see myself and although the other shots were mostly in good focus and exposure, my positioning was wrong, I had the wrong expression or I just did,’t like it. This was I thought the

Planning and preparing for assignment 1.

Due to the COVID epidemic getting photographs of anyone outside my household is proving very, difficult; so for my first assignment I have elected to keep it simple and use my wife and myself as the subjects. The photographers and their projects that have inspired me are Larry Sultan, Pictures of Home (1992) and Tina

Assignment 1 – Environmental Portraits, ‘My Other-half’

Assignment 1 – My Other-half “Identity comes from both the observer and the observed.” – Shaun Mullins. In this project, I wanted to create environmental portraits that in some way express the different sub-identities that make up the overall character of a person.  I believe that our identity / character is not defined by one

Exercise 1.1a – Planning & Preparation.

The brief for this exercise is to produce five portraits of strangers from a variety of backgrounds. They must be classed as ‘Other’ so that they may differ by a significant respect from myself. This could be by age, gender, sexual orientation, ethnic background, social class, etc. I am also to keep notes of contact

Porträt 1986-1991

Porträt (P. Lappat), 1987 by Thomas Ruff. Porträt (M. Roeser), 1999 by Thomas Ruff. Porträt (A. Kachold), 1987 by Thomas Ruff Ruff’s project Porträt 1986-1991 is a collection of photographs made like passport I.D. photos, only Ruff used a large format camera and printed the photographs size 1600 x 1205 mm at a printing quality for

Preliminary Exercise: The Clandestine Camera

For this exercise, I took photographs of people who were unaware of being subjects of photography. This exercise was (for me) not a comfortable project.  I therefore decided that I would try to respect my subject’s privacy, as best I could.  At the time I set out to accomplish this exercise it was at the

Humphrey Spender

Humphrey Spender became a member of the Mass Observation Movement in the late 1930’s and became famous for his photographs, Worktown Study, (1937-40) in the city of Bolton. To obtain his photographs of non posed subjects would spend time with his subjects being seen to take photographs, but in fact having no film in the