Blumenfeld a fetish for beauty

Blumenfeld a fetish for beauty, 1996, Edited by William A Ewing in collaboration with Marina Schinz, London: Thames & Hudson. ISBN: 0-500-54202-3. A good reference book with an essay on Blumenfeld’s life and the artistic movements that influenced him. Examples: Eva Penninck, Amsterdam, 1932, Erwin Blumenfeld. Momie vivante, Amsterdam, 1932, Erwin Blumenfeld. The Art Dealer

Voici Paris Modernite’s Phographiques, 1920 – 1950

Voici Paris Modernite’s Photographiques, 1920 – 1950 (2012) Edited by Quentin Bejac and Clement Cheroux, Paris: Centre Pompidou. ISBN: 978-2-84426-584-5. This is an accompanying book to an exhibition held at the Centre Pompidou in Paris between 2012 and 2013, illustrating photographs of Paris in the modernity style taken between 1920 and 1950 by many great

Henri Cartier-Bresson Europeans

Henri Cartier-Bresson Europeans, 2001, Edited by Jean Clair, London: Thames & Hudson, ISBN: 0-500-28122-X. This is a good reference book to some of Cartier-Bresson’s most famous pictures taken in Europe before and after the second world war. Introduced by a short essay by Jean Clair looking critically at Cartier-Bresson’s European themes. Some examples. Pont de

Man Ray

Man Ray, Emmanuelle de l’Ecotais, Katherine Ware, (2004) Ed. Manfred Heiting, London: TASCHEN. ISBN: 9-783822-834831. This book has two essays written about Man Ray’s life and his time in Paris and is full of examples of his photographs that he made during his time in Paris before world war two. A very good reference book

Summary for Part 6: Pre-Assessment Tutorial.

Untitled, (2021) Shaun Mullins. For my final assignment I had decided to explore ideas of the politics of self with masks as metaphor for the front that we all put up when with others. This front is a kind of guard that protects as well as projects. At the time of preparing and conducting this

Assignment 4 – Essay

Other Than You. By Shaun Mullins (512659) Assignment 4, PH5SAO – The Self and The Other. Word count without quotations and footnotes: 2563.  Including quotations and footnotes Total: 3931. Sources: Barthes, 2000; 1977; Kelly, Self Image, Personal is Political, 1979; Kuhn, Remembrance, The child I never was, 1991; Ritchin, 2010; Spence, Facing Up To Myself,

The ‘Mona Lisa’ by Leonardo da Vinci 1503/06 – 1517

Mona Lisa by Leonardo da Vinci (1503/07 – 1517) This portrait is now probably the most famous portrait in the world. Painted by Leonardo da Vinci, he started painting this from around 1503 – 06 and is believed to have continued working on it until as late as 1517, close to his death. It is

Human Rights Human Wrongs by Mark Sealy

Human Rights Human Wrongs The above link introduces Sealy photographic exhibition to quote: “Images can dehumanise us. They can make it easier to kill people,” says Mark Sealy, curator of Human Rights Human Wrongs, currently on exhibit at The Photographers’ Gallery “I grew up in Newcastle, sat on buses with characters calling me ‘Chalky’,” says

Larry Sultan

Larry Sultan, 1946 – 2009. An American photographer, he began as a conceptual photographer. In 1977 he and a photographer called Mike Mandel published a collection of photographs they found in government archives that they titled Evidence (1977). They then created large billboards to slow down traffic. Sultan later produced photographs of his parents and

Richard Avedon

Richard Avedon, 1923 -2004. American portrait and fashion photographer, he worked for Harper’s Bezaar and Vogue. He specialised in capturing movement in fashion, theatre and dance photographs. Bob Dylon, Singer, New York City, (1965) by Richard Avedon. Elise Daniels with Street Performers, Suit by Balenciage, Le Marais, Paris, (1948) by Richard Avedon.