Untitled, (2021) Shaun Mullins. For my final assignment I had decided to explore ideas of the politics of self with masks as metaphor for the front that we all put up when with others. This front is a kind of guard that protects as well as projects. At the time of preparing and conducting thisContinue reading “Summary for Part 6: Pre-Assessment Tutorial.”
Tag Archives: Portraits
The Cruel Radiance
The Cruel Radiance, 2012, Susie Linfield, Chicago: The University of Chicago Press. ISBN: 978-0-226-48251-4. This is a very interesting book and I found it to be a good read. Linfield writes in defence of photography against what she describes as a popular and institutional attack on the medium by critics and even other photographers. SheContinue reading “The Cruel Radiance”
The Self-Portrait A Cultural History
The Self-Portrait A Cultural History, 2015, by James Hall, London: Thames & Hudson. ISBN: 978-0-500-29211-2 This book examines the history of the self-portrait, unfortunately I purchased a Kindle edition which unhelpfully doesn’t provide page numbers, this option is greyed out in the menu; so I am only able to quote location numbers (Loc) as providedContinue reading “The Self-Portrait A Cultural History”
Portraits using masks by some influential photographic artists.
Diane Arbus Untitled (4), (1970-1) Diane Arbus . Untitled (8), (1970-1) Diane Arbus . Ralph Eugene Meatyard Romance (N.) from Ambrose Bierce #3, (1962) Ralph Eugene Meatyard. Lucybelle Crater in the grape arbor, (1970-2) Ralph Eugene Meatyard. Cindy Sherman Untitled #466, 2008, Cindy Sherman Anna Fox Hampshire village pram race, 2006, Anna Fox.
Image Makers Image Takers
Image Makers Image Takers, 2010, by Anne-Celine Jaeger, London: Thames & Hudson. ISBN: 978-0-500-28892-4. This book examines different subjects practiced in contemporary photography by prominent contemporary artists and Art Photography related professionals with interviews asking them about their philosophies? Inspirations and influences? Equipment and technical methods used? Etc. Subjects covered: Art, Documentary, Fashion and Advertising,Continue reading “Image Makers Image Takers”
Summary for Part 5 – Self Directed Project.
Shaun Mullins, Untitled, test shots, 2020. Part five was the preparation for my fifth assignment, this assignment is a pathway to my final body of work, a self directed project which will be assignment six. My inspiration lead from my essay for assignment four, and through my reading, In Our Own Image, Third Edition, 2010,Continue reading “Summary for Part 5 – Self Directed Project.”
Ralph Eugene Meatyard
Ralph Eugene Meatyard, “Lucybelle Crater and her P.O. brother Lucybelle Crater,” 1970-72. Ralph Eugene Meatyard, The Family Album of Lucybelle Crater, 1970-72. Meatyard used masks, to acknowledge the incapacity and inadequacy of the portrait convention as a means of psychological disclosure. (Durden, 2014, p.66). His project, The Family album of Lucybelle Crater, 1970-72, was made inContinue reading “Ralph Eugene Meatyard”
Assignment 5: Self Directed Project. (Work in Progress)
The Politics of Self & Other My idea for a theme is a critical look at how we regard ourselves and others from a political angle. I want to explore ideas of ‘self and other based upon a form of political ideology and to be more specific consider how portraits are viewed from the anglesContinue reading “Assignment 5: Self Directed Project. (Work in Progress)”
Summary for Part 4, Essay.
For part four, I have chosen for my essay the topic: ‘From case studies, can single images ever fairly represent others or self?’ Assignment 4 Planing and Preparation for assignment. In my research for my fourth assignment, I came across an essay by Jo Spence that was published in, Spare Rib, March, 1978. In thisContinue reading “Summary for Part 4, Essay.”
After You Dearest Photography, Reflections on the work of Francesca Woodman (1998) By David Lee Strauss
Francesca Woodman, Self-portrait, (1977) Strauss looks at the work by the artist Francesca Woodman, many of her pictures were self portraits. Sadly Woodman took her own life, whilst still only 22 years old. This latter fateful knowledge cannot help influencing the way we view her art. Because these are photographs, “evidence of a novel kind,”Continue reading “After You Dearest Photography, Reflections on the work of Francesca Woodman (1998) By David Lee Strauss”