Shizuka Yokomizo – Stranger

Shizuka Yokomizo’ project, Stranger, 1998 -2000, consisted of Yokomizo sending anonymous letters to her subjects asking them to stand in front of their from windows at an appointed time, and she would then spend a couple of minutes photographing them through their window from the street. Shizuka Yokomizo, Stranger, 1998 -2000. Dear Stranger, I am

Ralph Eugene Meatyard

Ralph Eugene Meatyard, “Lucybelle Crater and her P.O. brother Lucybelle Crater,” 1970-72. Ralph Eugene Meatyard, The Family Album of Lucybelle Crater, 1970-72. Meatyard used masks, to acknowledge the incapacity and inadequacy of the portrait convention as a means of psychological disclosure. (Durden, 2014, p.66). His project, The Family album of Lucybelle Crater, 1970-72, was made in

Assignment 4 – Essay

Other Than You. By Shaun Mullins (512659) Assignment 4, PH5SAO – The Self and The Other. Word count without quotations and footnotes: 2563.  Including quotations and footnotes Total: 3931. Sources: Barthes, 2000; 1977; Kelly, Self Image, Personal is Political, 1979; Kuhn, Remembrance, The child I never was, 1991; Ritchin, 2010; Spence, Facing Up To Myself,

Photography and Belief by David Lee Strauss

Photography and Belief (1991) by David Lee Strauss In David Levi Strauss’ essay, Photography and Belief, Strauss looks at how photography is facing new challenges as a result of new digital imaging technology and how this technology is throwing into question the future integrity of photography. Photography as mechanical reproduction almost immediately altered the aura

Self Image, Personal is political (1979) by Angela Kelly

Women’s Identity (1975 – 1979) Angela Kelly This essay, Kelly examines the use and mis-use of self portraiture, to quote Kelly: to determine what relevance a seemingly private practice has to a public audience. (p.410, Wells, 2003). Kelly suggests in her essay, that at the time of writing, self-portraiture had not been properly analysed. As

Uses of Photography (1978) by John Berger

Quotations from Uses of Photography by John Berger. “Through photographs, the world becomes a series of unrelated, free-standing particles; and history, past and present, a set of anecdotes and fait divers. The camera makes reality atomic, manageable, and opaque. It is a view of the world which denies interconnectedness, continuity, but which confers on each

‘Facing Up To Myself’ by Jo Spence (1978)

Jo Spence, Photo Therapy: Infantilization, 1984. The above link (accessed, 26/10/2020) is a pdf copy of an article published in Spare Rib magazine, March 1978 by Jo Spence, Facing Up To Myself (1978). Available from https://journalarchives.jisc.ac.uk/home (accessed 26/10/2020). Notes: As a photographer, Jo Spence, realised, That a single image could not convey someone’s essence. (Spare

My Other Half – a critical self-review.

My Other Half – A critical self-review by Shaun Mullins. The objective of this project was to create 6-10 environmental portraits and I chose to produce photographs of my wife in different locations in our home, dressed for and performing the typical activities that I often see her doing.  I wanted to convey the idea

Notes from the Margin of Spoilt Identity – The Art of Diane Arbus By Gerry Badger (1988)

Notes from the Margin of Spoilt Identity – The Art of Diane Arbus by Gerry Badger (1988). The above link will take you to the essay, Notes from the Margin of Spoilt Identity – The Art of Diane Arbus By Gerry Badger Published in Phototexts (1988) Topless dancer in her dressing room, San Francisco, California.

Susan Sontag’s criticism of Diane Arbus

From On Photography, (1977) Susan Sontag, London: Penguin, pages 32-48. Untitled – 1, 1970-1971. Diane Arbus Notes & passages of interest. Sontag begins her essay comparing an exhibition of 112 photographs by Diane Arbus that was exhibited in 1972 in at The Museum of Modern Art (MOMA) in New York city that drew large crowds