Formative Feedback for Assignment 4

Formative feedback Student name        Shaun Mullins Student number                 512659 Course/Unit          Self and Other Assignment number          4 Type of tutorial  Audio-Visual     Overall Comments A useful attempt to wrestle with the subjectivity of the photograph. A well referenced essay. Assignment 2 and 4 Assessment potential I understand your aim is to go forContinue reading “Formative Feedback for Assignment 4”

Gillian Wearing

Gillian Wearing is an artist who has used masks in her projects. Gillian Wearing, Confess All On Video. Don’t Worry You Will Be In Disguise. Intrigued? Call Gillian…, 1994. In this project, Wearing advertised in the London magazine, Time Out using the above words from her title as part of her advertisement. She providing masksContinue reading “Gillian Wearing”

In Our Own Image.

In Our Own Image, 3rd Edition, 2010, by Fred Ritchin, New York: Aperture. ISBN:978-1-59711-164-5. This book was originally published under the title, The Coming Revolution in Photography, in the early 1990’s and was revised and republished in 2010. Ritchin’s topic for the book is his concern for the future of photography as a result ofContinue reading “In Our Own Image.”

Notes from my Video link with my Tutor

Notes: For Assignment 3. My Tutor suggested that I research Pablo Picasso, to see if he produced an artist manifesto for his cubism period (if there is one). For assignment 4. My Tutor confirmed that my research was on the right path. He advised, to limit my reading to just three or four essays /Continue reading “Notes from my Video link with my Tutor”

The ‘Other’ in the history of photography

Because photography was seen as the ideal tool for providing evidence due to its perceived indexicality, it was used to observe and record the face and head. In the 1850s and 1860s the British eugenicist Francis Galton obtained portrait photographs of criminals from the archive of Millbank Prison. He meticulously re-photographed theses pictures, exposing aContinue reading “The ‘Other’ in the history of photography”

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