Summary for Part 2, Other

Part 2, Other, began by looking at how photography has played its part in violence against the other, siting Victorian photography as one example of asserting colonial power over weaker subjected peoples of other ethnic and cultural societies. Artists such as Mark Sealy have been addressing these troubling histories with work and exhibitions such as

Questioning Identity: Gender, Class, Nation.

Kath Woodward, (ed.) (2000) Questioning Identity: Gender, Class, Nation, London: Routledge. ISBN: 0-415-22288-5. This publication is part a series of books for the study of social science through the Open University, published in 2000 it is probably a little dated now as it pulls from examples no later than the 1990s. However, as a book

Larry Sultan

Larry Sultan, 1946 – 2009. An American photographer, he began as a conceptual photographer. In 1977 he and a photographer called Mike Mandel published a collection of photographs they found in government archives that they titled Evidence (1977). They then created large billboards to slow down traffic. Sultan later produced photographs of his parents and

Porträt 1986-1991

Porträt (P. Lappat), 1987 by Thomas Ruff. Porträt (M. Roeser), 1999 by Thomas Ruff. Porträt (A. Kachold), 1987 by Thomas Ruff Ruff’s project Porträt 1986-1991 is a collection of photographs made like passport I.D. photos, only Ruff used a large format camera and printed the photographs size 1600 x 1205 mm at a printing quality for

Bibliography

Books Bang, M. (2000) Picture This How Pictures Work, San Francisco: Chronicle Books LLC. Barthes, R. (2000) Camera Lucida, London: Vintage. Barthes, R. (1977) Image Music Text, London: Fontana Press. Berger, J. (1980) About Looking, London: Bloomsbury. Berger, J. (1972) Ways of Seeing, London, Penguin. Bright, S. (ed.) (2013) Home Truths: Photography and Motherhood, London: