Learning Summary for Self and the Other

What did I do? Due to the COVID 19 epidemic, my options were limited for subjects to photograph however, I managed to get some photos of strangers right at the beginning before the full effect of the idea of mask wearing a social distance became to problematic and I turned to my wife and my

My Other Half – a critical self-review.

My Other Half – A critical self-review by Shaun Mullins. The objective of this project was to create 6-10 environmental portraits and I chose to produce photographs of my wife in different locations in our home, dressed for and performing the typical activities that I often see her doing.  I wanted to convey the idea

Exercise 3.2 – Four Image-Repertoires

Exploring Roland Barthes theory regarding four image-repertoires, (Barthes, 2000, p.13) I have asked my friend (Graham) to pose for me with the intention of presenting himself as, ‘who he thinks he is’, and how he wants to be perceived. Graham asked that I photograph him cleaning his shotgun, as he sees himself as an outdoors

Summary for Part 2, Other

Part 2, Other, began by looking at how photography has played its part in violence against the other, siting Victorian photography as one example of asserting colonial power over weaker subjected peoples of other ethnic and cultural societies. Artists such as Mark Sealy have been addressing these troubling histories with work and exhibitions such as

Four image-repertoires – Roland Barthes

Roland Barthes writes in his book Camera Lucida (2000) London: Vintage Classics: The portrait-photograph is a closed field of forces. Four image-repertoires intersect here, oppose and distort each other. In front of the lens, I am at the same time: the one I think I am, the one I want others to think I am,