Gillian Wearing

Gillian Wearing is an artist who has used masks in her projects. Gillian Wearing, Confess All On Video. Don’t Worry You Will Be In Disguise. Intrigued? Call Gillian…, 1994. In this project, Wearing advertised in the London magazine, Time Out using the above words from her title as part of her advertisement. She providing masksContinue reading “Gillian Wearing”

Reading Task – The Impossibilities to shoot as a white photographer on the African Continent by Jan Hoek

https://americansuburbx.com/2015/11/the-impossibilities-to-shoot-as-a-white-p hotographer-on-the-african-continent.html Jan Hoek wrote a reply to Wolukau-Wanambwa’s critique of Sassen’s, de Midel’s and his work defending his non-racist intentions. Perhaps, we must all ask ourselves can we truly ever be totally unprejudiced as a human race? Notes and Quotes In an article on Aperture.org (http://aperture.org/blog/lives-others/), Stanley Wolukau-Wanambwawiped the floor with the work of artists VivanneContinue reading “Reading Task – The Impossibilities to shoot as a white photographer on the African Continent by Jan Hoek”

Research Point – Propaganda in an image.

Photo by Eddie Adams/Associated Press ‘Execution of a Viet Cong officer’, Saigon, Vietnam, 1968. South Vietnam National Police Chief Nguyen Ngoc Loan executes suspected Viet Cong member Nguyen Van Lem, on the second day of the Tet Offensive during the Vietnam War. The act was stunning in its casualness. Associated Press photographer Eddie Adams wasContinue reading “Research Point – Propaganda in an image.”

Notes from the Margin of Spoilt Identity – The Art of Diane Arbus By Gerry Badger (1988)

Notes from the Margin of Spoilt Identity – The Art of Diane Arbus by Gerry Badger (1988). The above link will take you to the essay, Notes from the Margin of Spoilt Identity – The Art of Diane Arbus By Gerry Badger Published in Phototexts (1988) Topless dancer in her dressing room, San Francisco, California.Continue reading “Notes from the Margin of Spoilt Identity – The Art of Diane Arbus By Gerry Badger (1988)”

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