Formative Feedback for Assignment 3

Formative feedback Student name        Shaun Mullins Student number                 512659 Course/Unit          Self and Other Assignment number          3 Type of tutorial  Audio-Visual     Overall Comments A useful start based on decent preparatory research. Feedback on assignment Demonstration of technical and Visual Skills, Quality of Outcome, Demonstration of Creativity Notes on, and in addition to,

Final Project (Assignment 6) Tutor’s Formative Feedback

Formative feedback Student name        Shaun Mullins Student number                 512659 Course/Unit          Self and Other Assignment number          6 Type of tutorial  Audio-Visual     Overall Comments An interesting interactive project that brings together your research and interests. A satisfying conclusion to the module. Feedback on assignment Demonstration of technical and Visual Skills, Quality of Outcome,

Summary for Part 5 – Self Directed Project.

Shaun Mullins, Untitled, test shots, 2020. Part five was the preparation for my fifth assignment, this assignment is a pathway to my final body of work, a self directed project which will be assignment six. My inspiration lead from my essay for assignment four, and through my reading, In Our Own Image, Third Edition, 2010,

Reading Photographs – In Our Own Image, by Fred Ritchin

Peter Kennard and Cat Phillips created the image, titled: Photo Op, in 2005. From Fred Ritchin’s book, In Our Own Image, his essay, Reading Photographs, (Ritchin, 2010) discusses the authenticity of a photograph. He asks, …after all that is happening in computer imaging can one safeguard the integrity of the photograph in its populist role

Notes from my Video link with my Tutor

Notes: For Assignment 3. My Tutor suggested that I research Pablo Picasso, to see if he produced an artist manifesto for his cubism period (if there is one). For assignment 4. My Tutor confirmed that my research was on the right path. He advised, to limit my reading to just three or four essays /

Reading Task – The Impossibilities to shoot as a white photographer on the African Continent by Jan Hoek

https://americansuburbx.com/2015/11/the-impossibilities-to-shoot-as-a-white-p hotographer-on-the-african-continent.html Jan Hoek wrote a reply to Wolukau-Wanambwa’s critique of Sassen’s, de Midel’s and his work defending his non-racist intentions. Perhaps, we must all ask ourselves can we truly ever be totally unprejudiced as a human race? Notes and Quotes In an article on Aperture.org (http://aperture.org/blog/lives-others/), Stanley Wolukau-Wanambwawiped the floor with the work of artists Vivanne

Preliminary Exercise: The Clandestine Camera

For this exercise, I took photographs of people who were unaware of being subjects of photography. This exercise was (for me) not a comfortable project.  I therefore decided that I would try to respect my subject’s privacy, as best I could.  At the time I set out to accomplish this exercise it was at the