For part four, I have chosen for my essay the topic: ‘From case studies, can single images ever fairly represent others or self?’ Assignment 4 Planing and Preparation for assignment. In my research for my fourth assignment, I came across an essay by Jo Spence that was published in, Spare Rib, March, 1978. In thisContinue reading “Summary for Part 4, Essay.”
For my essay I chose “Using case studies, discuss whether single images can ever fairly represent others or self? I began by looking through my books for appropriate essays that has explored this subject and I took notes of book titles and page numbers to refer back to in preparation for the essay. From thisContinue reading “Planning and Preparing for Assignment 4”
Peter Kennard and Cat Phillips created the image, titled: Photo Op, in 2005. From Fred Ritchin’s book, In Our Own Image, his essay, Reading Photographs, (Ritchin, 2010) discusses the authenticity of a photograph. He asks, …after all that is happening in computer imaging can one safeguard the integrity of the photograph in its populist roleContinue reading “Reading Photographs – In Our Own Image, by Fred Ritchin”
Young Farmers, 1914, August Sander. Country Band, Seigerland, 1913, August Sander. Stadtmissionare, 1931, August Sander. In John Berger’s essay, The Suit and the Photograph, Berger examines Sanders famous photograph The Young Farmers (1914). Berger suggests that the status of these three individuals can be deduced from their clothes. He begins by explaining that the darkContinue reading “The Suit and the Photograph (1979) by John Berger”
Porträt (P. Lappat), 1987 by Thomas Ruff. Porträt (M. Roeser), 1999 by Thomas Ruff. Porträt (A. Kachold), 1987 by Thomas Ruff Ruff’s project Porträt 1986-1991 is a collection of photographs made like passport I.D. photos, only Ruff used a large format camera and printed the photographs size 1600 x 1205 mm at a printing quality forContinue reading “Porträt 1986-1991”
Richard Avedon, 1923 -2004. American portrait and fashion photographer, he worked for Harper’s Bezaar and Vogue. He specialised in capturing movement in fashion, theatre and dance photographs. Bob Dylon, Singer, New York City, (1965) by Richard Avedon. Elise Daniels with Street Performers, Suit by Balenciage, Le Marais, Paris, (1948) by Richard Avedon.