How to post to Instagram from a Mac

https://www.macworld.co.uk/how-to/instagram-for-mac-3641569/ Above is a website I found that could give advise to people wishing to upload their photos to Instagram from their I-Mac. I do not have a smart phone; so this is my only way of gaining access to an Instagram account of my creation. I have added my selfie photos to my account,

Photography A Very Short Introduction

Stephen Edwards, Photography A Very Short Introduction, 2006, Oxford: Oxford University Press, ISBN: 978-0-19-280164-7 (Kindle Edition). In my opinion, this is a very good book and a very important book to read for any photographer. Notes/Quotes: Documentary is said to provide its viewers with direct access to truth. In his pioneering book on the subject,

In Our Own Image.

In Our Own Image, 3rd Edition, 2010, by Fred Ritchin, New York: Aperture. ISBN:978-1-59711-164-5. This book was originally published under the title, The Coming Revolution in Photography, in the early 1990’s and was revised and republished in 2010. Ritchin’s topic for the book is his concern for the future of photography as a result of

Assignment 4 – Essay

Other Than You. By Shaun Mullins (512659) Assignment 4, PH5SAO – The Self and The Other. Word count without quotations and footnotes: 2563.  Including quotations and footnotes Total: 3931. Sources: Barthes, 2000; 1977; Kelly, Self Image, Personal is Political, 1979; Kuhn, Remembrance, The child I never was, 1991; Ritchin, 2010; Spence, Facing Up To Myself,

Reading Photographs – In Our Own Image, by Fred Ritchin

Peter Kennard and Cat Phillips created the image, titled: Photo Op, in 2005. From Fred Ritchin’s book, In Our Own Image, his essay, Reading Photographs, (Ritchin, 2010) discusses the authenticity of a photograph. He asks, …after all that is happening in computer imaging can one safeguard the integrity of the photograph in its populist role

Self Image, Personal is political (1979) by Angela Kelly

Women’s Identity (1975 – 1979) Angela Kelly This essay, Kelly examines the use and mis-use of self portraiture, to quote Kelly: to determine what relevance a seemingly private practice has to a public audience. (p.410, Wells, 2003). Kelly suggests in her essay, that at the time of writing, self-portraiture had not been properly analysed. As

Remembrance, The child I never was, by Annette Kuhn

Remembrance, The child I never was, (1991) by Annette Kuhn from The Photography Reader, edited by Liz Wells, (2003) Routledge, Abingdon. Annette Kuhn as a child, by Harry Kuhn, circa, early 1950’s, exact date unknown. Kuhn uses a photograph taken of herself as a child as the theme to her story or as she says

Exercise 2.3 – Ideology

Ideology – its there you just need to recognise it. Look again at this national press image and starting from a position touted as ‘commonsensical’ look at the photograph and text, is this promoting a view that could be misleading? A SHOCK new photograph today showed Amber Heard’s bruised face after Johnny Depp allegedly hurled

Reflection Point 2.1

Stuart Hall 1932 – 2014, Jamaican, cultural theorist and sociologist. lived in the UK from 1951, Known as the ‘Godfather of multiculturalism’. Professor of Sociology at the Open University between 1979 – 1997. His writing on race, gender sexuality and identity was considered groundbreaking, with a far reaching impact and descried as, “a spellbinding orator”.

Bibliography

Books Bang, M. (2000) Picture This How Pictures Work, San Francisco: Chronicle Books LLC. Barthes, R. (2000) Camera Lucida, London: Vintage. Barthes, R. (1977) Image Music Text, London: Fontana Press. Berger, J. (1980) About Looking, London: Bloomsbury. Berger, J. (1972) Ways of Seeing, London, Penguin. Bright, S. (ed.) (2013) Home Truths: Photography and Motherhood, London: