The Cruel Radiance

The Cruel Radiance, 2012, Susie Linfield, Chicago: The University of Chicago Press. ISBN: 978-0-226-48251-4. This is a very interesting book and I found it to be a good read. Linfield writes in defence of photography against what she describes as a popular and institutional attack on the medium by critics and even other photographers. SheContinue reading “The Cruel Radiance”

Self Image, Personal is political (1979) by Angela Kelly

Women’s Identity (1975 – 1979) Angela Kelly This essay, Kelly examines the use and mis-use of self portraiture, to quote Kelly: to determine what relevance a seemingly private practice has to a public audience. (p.410, Wells, 2003). Kelly suggests in her essay, that at the time of writing, self-portraiture had not been properly analysed. AsContinue reading “Self Image, Personal is political (1979) by Angela Kelly”

Reading Task – White Privilege: Unpacking the Invisible Knapsack​ by Peggy McIntosh.

White Privilege: Unpacking the Invisible Knapsack​ by Peggy McIntosh. (1988) Notes and Quotes McIntosh starts her essay discussing how men have more power and privilege over women and that although men may accept that women are not treated equally to men, few men would agree that they are over privileged and should give some of itContinue reading “Reading Task – White Privilege: Unpacking the Invisible Knapsack​ by Peggy McIntosh.”

Notes from the Margin of Spoilt Identity – The Art of Diane Arbus By Gerry Badger (1988)

Notes from the Margin of Spoilt Identity – The Art of Diane Arbus by Gerry Badger (1988). The above link will take you to the essay, Notes from the Margin of Spoilt Identity – The Art of Diane Arbus By Gerry Badger Published in Phototexts (1988) Topless dancer in her dressing room, San Francisco, California.Continue reading “Notes from the Margin of Spoilt Identity – The Art of Diane Arbus By Gerry Badger (1988)”

Susan Sontag’s criticism of Diane Arbus

From On Photography, (1977) Susan Sontag, London: Penguin, pages 32-48. Untitled – 1, 1970-1971. Diane Arbus Notes & passages of interest. Sontag begins her essay comparing an exhibition of 112 photographs by Diane Arbus that was exhibited in 1972 in at The Museum of Modern Art (MOMA) in New York city that drew large crowdsContinue reading “Susan Sontag’s criticism of Diane Arbus”

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