Blumenfeld a fetish for beauty

Blumenfeld a fetish for beauty, 1996, Edited by William A Ewing in collaboration with Marina Schinz, London: Thames & Hudson. ISBN: 0-500-54202-3. A good reference book with an essay on Blumenfeld’s life and the artistic movements that influenced him. Examples: Eva Penninck, Amsterdam, 1932, Erwin Blumenfeld. Momie vivante, Amsterdam, 1932, Erwin Blumenfeld. The Art DealerContinue reading “Blumenfeld a fetish for beauty”

Mark Sealy – Conversation, ‘Afterimage: why representation matters.’

A lecture by Mark Sealy at The Fabrica Gallery in 2012 discussing the photographs and project by artists Julian Germain, Patricia Azevedo and Murilo Godoy, The Beautiful HorizonĀ (2012) which was an acclaimed project, documenting a long-term collaboration between young people living on the streets of Belo Horizonte, Brazil. Referring to this project he discusses theContinue reading “Mark Sealy – Conversation, ‘Afterimage: why representation matters.’”

Susan Sontag’s criticism of Diane Arbus

From On Photography, (1977) Susan Sontag, London: Penguin, pages 32-48. Untitled – 1, 1970-1971. Diane Arbus Notes & passages of interest. Sontag begins her essay comparing an exhibition of 112 photographs by Diane Arbus that was exhibited in 1972 in at The Museum of Modern Art (MOMA) in New York city that drew large crowdsContinue reading “Susan Sontag’s criticism of Diane Arbus”

Richard Avedon

Richard Avedon, 1923 -2004. American portrait and fashion photographer, he worked for Harper’s Bezaar and Vogue. He specialised in capturing movement in fashion, theatre and dance photographs. Bob Dylon, Singer, New York City, (1965) by Richard Avedon. Elise Daniels with Street Performers, Suit by Balenciage, Le Marais, Paris, (1948) by Richard Avedon.

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